The Met’s Frida y Diego proves visually stunning, musically thrilling

Carlos Álvarez (Diego) and Isabel Leonard (Frida)

Gabriella Reyes (Catrina)

Isabel Leonard (Frida)

Carlos Álvarez (Diego) and Isabel Leonard (Frida)

El último sueño de Frida y Diego

Por David Wolfson, 23 mayo 2026

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“the soprano role of Catrina is written as an absolute scene-stealer”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 22 mayo 2026

Frank, El último sueño de Frida y Diego

Metropolitan Opera

Steven Osgood, Dirección

Deborah Colker, Dirección de escena, Coreografía

Jon Bausor, Diseño de escena, Diseño de vestuario

Adam Silverman, Diseño de iluminación

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Wilberth Gonzalez, Diseño de vestuario

Isabel Leonard, Frida Kahlo

Carlos Álvarez, Diego Rivera

Gabriella Reyes, Catrina

Nils Wanderer, Leonardo

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

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David Wolfson

David Wolfson holds a PhD in composition from Rutgers University, and has taught at Rutgers University, Montclair State University and Hunter College. He is enjoying an eclectic career, having composed opera, musical theatre, touring children’s musicals, and incidental music for plays; choral music, band music, orchestral music, chamber music, art songs, and music for solo piano; comedy songs, cabaret songs and one memorable score for an amusement park big-headed-costumed-character show. You can find more information here.

The Met Opera’s Frida y Diego proves visually stunning, musically thrilling