An exquisite recital from Allan Clayton and James Baillieu

Por Mark Valencia, 22 junio 2020

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“the tone of his recital may have been subdued but Clayton held the ear with an actor’s aplomb”

Crítica hecha desde Wigmore Hall, Londres el 22 junio 2020

Schumann, Kerner Lieder, Op.35

Vaughan Williams, Orpheus with his lute

Bridge, Journey's end

Quilter, Five English Love Lyrics, Op. 24: Go, lovely rose

Britten, Folk Song Arrangements, Vol. 5: Sally in our alley

Britten, The Plough Boy

Britten, I wonder as I wander

Allan Clayton, Tenor

James Baillieu, Piano

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El acierto de Davidsen radicó en no intentar llevar su voz al territorio el lied, sino en traer las canciones a su zona de lucimiento.

****1

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Nick Boston, 10th August

A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting.

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Bei Appls Liedersammlung „Forbidden Fruits“ zeigte der neue Konzertsaal im Münchner Kulturkraftwerk Bergson fabelhafte Eignung für die Kammermusik.

****1

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Isabella Steppan, 28th September

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Lise Davidsen triumphs in Met Opera recital

Susan Stempleski, 14th September

In her New York recital debut, the young Norwegian soprano displays the extent of her vocal and theatrical power in an unusually wide-ranging program of songs and opera arias.

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

An exquisite recital from Allan Clayton and James Baillieu at Wigmore Hall