An exquisite recital from Allan Clayton and James Baillieu

Par Mark Valencia, 22 juin 2020

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“the tone of his recital may have been subdued but Clayton held the ear with an actor’s aplomb”

Critique faite à Wigmore Hall, Londres, le 22 juin 2020

Schumann, Kerner Lieder, Op.35

Vaughan Williams, Orpheus with his lute

Bridge, Journey's end

Quilter, Five English Love Lyrics, Op. 24: Go, lovely rose

Britten, Folk Song Arrangements, Vol. 5: Sally in our alley

Britten, The Plough Boy

Britten, I wonder as I wander

Allan Clayton, Ténor

James Baillieu, Piano

A spectacular swansong for the Rosendal Chamber Music Festival

Nick Boston, 10th August

A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting.

*****

Benjamin Appls Liederrezital lässt genussvoll schmunzeln

Michael Vieth, 2nd February

Bei Appls Liedersammlung „Forbidden Fruits“ zeigte der neue Konzertsaal im Münchner Kulturkraftwerk Bergson fabelhafte Eignung für die Kammermusik.

****1

El lied como himno: Lise Davidsen inaugura el veterano ciclo en Madrid

Juan José Freijo, 9th October

El acierto de Davidsen radicó en no intentar llevar su voz al territorio el lied, sino en traer las canciones a su zona de lucimiento.

****1

Buntes Programm, grandiose Stimme: Lise Davidsen an der Staatsoper

Isabella Steppan, 28th September

Von Lied über Oper bis zur Operette begeisterte Lise Davidsen gemeinsam mit James Baillieu im Rahmen eines Solistinnenkonzerts.

*****

Lise Davidsen triumphs in Met Opera recital

Susan Stempleski, 14th September

In her New York recital debut, the young Norwegian soprano displays the extent of her vocal and theatrical power in an unusually wide-ranging program of songs and opera arias.

*****

Maestri and Bayankina shine in last-minute Verbier opera gala

Elodie Olson-Coons, 20th July

In Verbier's Salle des Combins, despite the change of programme, Ambrogio Maestri and Maria Bayankina deliver stand-out performances.

****1

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

An exquisite recital from Allan Clayton and James Baillieu at Wigmore Hall