Barbed wire fences and gas masks: Wozzeck in Sydney

Por Zoltán Szabó, 31 enero 2019

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“projections... provoke thoughts and constantly occupy the audience’s mind”

Crítica hecha desde Sydney Opera House: Joan Sutherland Theatre, Sídney el 30 enero 2019

Berg, Wozzeck

Opera Australia

Andrea Molino, Dirección

William Kentridge, Dirección de escena

Sabine Theunissen, Diseño de escena

Greta Goiris, Diseño de vestuario

Michael Honeyman, Wozzeck

Lorina Gore, Marie

John Longmuir, Captain

Richard Anderson, Doctor

John Daszak, Drum Major

Dominica Matthews, Margret

Virgilio Marino, Andres

Adrian Tamburini, First Apprentice

Sitiveni Talei, Second Apprentice

Shanul Sharma, Madman

Luc De Wit, Dirección de escena

Opera Australia Chorus

Opera Australia Orchestra

Urs Schönebaum, Diseño de iluminación

Catherine Meyburgh, Videoarte

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***11

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****1

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

Barbed wire fences and gas masks: William Kentridge’s unsettling Wozzeck in Sydney