En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | John Daszak

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Madrid

30 abr 2017

Bomarzo de Ginastera seduce al Teatro Real

Por Fernando Remiro

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Roma

Calixto Bieito directs a moving Suor Angelica and Il prigioniero in Rome

Por Pia Maltri, 23 abril 2025

An unusual double bill pairing of Puccini’s Suor Angelica and Dallapiccola’s Il prigioniero opens at the Teatro dell'Opera di Roma.

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Roma

25 abr 2025

Bieito directs a moving Suor Angelica and Il prigioniero in Rome

Por Pia Maltri

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Unverwechselbarer Liebestod der Káťa Kabanová: bildmächtige Neuinszenierung in München

Por Michael Vieth, 17 marzo 2025

Eine moderne Sicht auf Janáčeks Beziehungsgeschichte durch Krzysztof Warlikowski erweist sich als vordergründig eindrucksvoll, verwischt aber in weiträumigem Bühnenspiel den Fokus auf die Charaktere der Figuren. Corinne Winters brilliert erneut als zur Außenseiterin abgestempelten Káťa Kabanová.

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Múnich

18 mar 2025

Bildmächtige Káťa Kabanová an der Bayerischen Staatsoper

Por Michael Vieth

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Geneva

New York penthouse decadence for a shattering new Salome in Geneva

Por Mark Pullinger, 22 enero 2025

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

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Geneva

23 ene 2025

Penthouse decadence for a shattering new Salome in Geneva

Por Mark Pullinger

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Bayreuth

L'Or du Rhin façon sitcom : le Ring de Bayreuth en gestation

Por Pierre Liscia-Beaurenaut, 20 agosto 2024

Pour ce premier tableau du Ring, Valentin Schwarz avance une vision parfois comique mais toujours cohérente de L'Or du Rhin. Musicalement, Ólafur Sigurdarson se distingue dans le rôle d'Alberich.

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Bayreuth

21 ago 2024

L'Or du Rhin façon sitcom : le Ring de Bayreuth en gestation

Por Pierre Liscia-Beaurenaut

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Hamburg

Enfant terrible: Dmitri Tcherniakovs Salome an der Staatsoper Hamburg

Por Alexandra Richter, 12 noviembre 2023

In Tcherniakovs neuer Inszenierung an der Staatsoper Hamburg ist Asmik Grigorian nach fünf Jahren endlich wieder als Salome zu erleben.

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Hamburg

15 nov 2023

Enfant terrible: Dmitri Tcherniakovs Salome an der Staatsoper Hamburg

Por Alexandra Richter

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Geneva

Rohe Gewalt und animalischer Sex: Schostakowitschs Lady Macbeth in Genf

Por Thomas Schacher, 30 abril 2023

Calixto Bieitos Inszenierung von 2014 geht auch bei der Genfer Wiederaufnahme durch Mark und Bein. Aušrinė Stundytė gestaltet die Hauptrolle der Kaufmannstochter Katerina mit unglaublicher Authentizität.

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Geneva

02 may 2023

Rohe Gewalt und animalischer Sex: Schostakowitschs Lady Macbeth

Por Thomas Schacher

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Zürich

Stikhina and Smoriginas shine in Zurich Salome

Por Elodie Olson-Coons, 17 enero 2023

A strong cast carries this satisfying revival of Andreas Homoki's production of Salome at Opernhaus Zürich.

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Zürich

19 ene 2023

Stikhina and Smoriginas shine in Zurich Salome

Por Elodie Olson-Coons

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Nouvelle Salomé et nouveau scandale à l’Opéra national de Paris

Por Erwan Gentric, 15 octubre 2022

La violence de la mise en scène de Lydia Steier hypnotise mais manque de profondeur ; dans le rôle-titre, Elza van den Heever brille en revanche de mille feux.

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París

17 oct 2022

Nouvelle Salomé et nouveau scandale à l’Opéra national de Paris

Por Erwan Gentric

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Malin Byström and Alexander Soddy lead superb Salome revival at the Royal Opera House

Por Roy Westbrook, 09 septiembre 2022

Swedish soprano Malin Byström returns to Sir David McVicar's production at Covent Garden, where she is now probably unsurpassed in the role, vocally and histrionically.

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Londres

11 sep 2022

Byström and Soddy lead superb Salome revival at the ROH

Por Roy Westbrook

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Aix-en-Provence

La surprenante et convaincante Salomé d’Elsa Dreisig au Festival d'Aix-en-Provence

Por Romain Daroles, 05 julio 2022

La production proposée au Grand Théâtre de Provence dans la mise en scène d'Andrea Breth vaut le détour pour l'interprétation de haut vol d'Elsa Dreisig, bien suivie par Ingo Metzmacher et l'Orchestre de Paris.

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Aix-en-Provence

07 jul 2022

La surprenante et convaincante Salomé d’Elsa Dreisig au Festival d'Aix

Por Romain Daroles

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Kentridge s'en va-t-en guerre : le foudroyant Wozzeck de Bastille

Por Pierre Liscia-Beaurenaut, 27 marzo 2022

Le très grand Wozzeck de Bastille ne se contente pas de faire écho à l'actualité : il brille surtout par une esthétique glaçante et une équipe mémorable.

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París

31 mar 2022

Kentridge s'en va-t-en guerre : le foudroyant Wozzeck de Bastille

Por Pierre Liscia-Beaurenaut

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La Khovantchina : Khovansky et ses troupes à l'assaut de la Bastille

Por Stéphane Lelièvre, 09 febrero 2022

Belle reprise de La Khovantchina à l'Opéra Bastille, où triomphent les forces de la maison, mais aussi Anita Rachvelishvili !

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París

12 feb 2022

La Khovantchina : Khovansky et ses troupes à l'assaut de la Bastille

Por Stéphane Lelièvre

Zürich

Technology to the rescue in Zurich's new staging of Boris Godunov

Por Laura Servidei, 20 septiembre 2020

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.

Zürich

22 sep 2020

Technology to the rescue in Zurich's new staging of Boris Godunov

Por Laura Servidei

Viena

Es ist Großartiges geschehen: Salome am Theater an der Wien

Por Isabella Steppan, 18 enero 2020

Trotz reduzierter Orchesterbesetzung wird an der Linken Wienzeile bei Richard Strauss‘ Bibelschocker ganz große Oper geboten.

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Viena

19 ene 2020

Es ist Großartiges geschehen: Salome am Theater an der Wien

Por Isabella Steppan

Eine moralische Geschichte: Bergs Wozzeck an der Bayerischen Staatsoper

Por Alexandra Richter, 23 noviembre 2019

Christian Gerhaher gibt sein Münchener Wozzeck-Debüt in Kriegenburgs zeitlos packender Inszenierung.

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Múnich

25 nov 2019

Eine moralische Geschichte: Wozzeck an der Bayerischen Staatsoper

Por Alexandra Richter

Sexe et cruauté à l'Opéra Bastille : Lady Macbeth selon Warlikowski

Por Manuel Gaulhiac, 06 abril 2019

Âmes sensibles s'abstenir ! La nouvelle production de Lady Macbeth de Mtsensk à l'Opéra de Paris, dans la mise en scène de Krzysztof Warlikowski, nous montre l’homme dans toute sa crasse et sa noirceur.

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París

08 abr 2019

Sexe et cruauté à l'Opéra Bastille : Lady Macbeth selon Warlikowski

Por Manuel Gaulhiac

Sídney

Barbed wire fences and gas masks: William Kentridge’s unsettling Wozzeck in Sydney

Por Zoltán Szabó, 30 enero 2019

Kentridge’s use of video technology creates another, highly complex, visual score next to Berg’s sonic one.

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Sídney

31 ene 2019

Barbed wire fences and gas masks: Wozzeck in Sydney

Por Zoltán Szabó

Zürich

A florid perversity: Barrie Kosky fires up Die Gezeichneten in Zurich

Por Sarah Batschelet, 23 septiembre 2018

Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works.

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Zürich

25 sep 2018

A florid perversity: Barrie Kosky fires up Die Gezeichneten in Zurich

Por Sarah Batschelet

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Salzburgo

On the rocks: Castellucci delivers an ice-cold Salome in Salzburg

Por Mark Pullinger, 09 agosto 2018

An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera.

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Salzburgo

10 ago 2018

On the rocks: An ice-cold Salome in Salzburg

Por Mark Pullinger

No muddle, just music: Pappano delivers an exceptional Lady Macbeth of Mtsensk

Por David Karlin, 12 abril 2018

The Royal Opera Orchestra produce a revelatory reading of Shostakovich’s eclectic score; a fine performance from Eva-Maria Westbroek and excellent acting from the whole cast light up the drama and farce.

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Londres

13 abr 2018

No muddle, just music: ROH Lady Macbeth of Mtsensk

Por David Karlin

The Beauty is the Beast: Malin Byström sings a chilling Salome

Por David Karlin, 08 enero 2018

Henrik Nánási balances the Orchestra of the Royal Opera House to perfection, setting the stage for a memorable title role performance from Byström and a powerful Jochanaan from Michael Volle.

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Londres

09 ene 2018

The Beauty is the Beast: Malin Byström sings a chilling Salome

Por David Karlin

Viena

Robert Carsen serves up a flawless Wozzeck for new Theater an der Wien staging

Por Chanda VanderHart, 17 octubre 2017

Without glitz, extravagance or the need to be expressly shocking, Robert Carsen's new production of Wozzeck at the Theater an der Wien is exceptional.

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Viena

18 oct 2017

A flawless Wozzeck for Theater an der Wien

Por Chanda VanderHart

Salzburgo

Skilfully constructed: William Kentridge's new Wozzeck at the Salzburg Festival

Por James Imam, 08 agosto 2017

A skilfully constructed production, and one that plays with the our perspectives. Whether the images are flashbacks from a war-troubled Wozzeck or a Büchner-esque portent of the horrors to come is left for the audience to decide.

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Salzburgo

09 ago 2017

Skilfully constructed: Wozzeck at the Salzburg Festival

Por James Imam

Paradise regained: Schreker's Die Gezeichneten returns to Munich after nearly a century

Por Matthew Rye, 04 julio 2017

The musical glories of Schreker’s glistening, late-Romantic score are laid bare in the Bavarian State Opera’s first production of Die Gezeichneten since 1919.

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Múnich

05 jul 2017

Schreker's Die Gezeichneten returns to Munich

Por Matthew Rye

Glasgow

Food for thought in Sir Harrison Birtwistle’s The Last Supper

Por David Smythe, 14 enero 2017

An excellent performance of Sir Harrison Birtwistle’s The Last Supper receiving its Scottish première, with Roderick Williams and Susan Bickley heading a luxury cast.

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Glasgow

15 ene 2017

Food for thought: Birtwistle’s The Last Supper

Por David Smythe

Prom 13: LPO become brothers under Jurowski in Beethoven 9 & Lindberg

Por Phil Barrett, 24 julio 2016

Democracy and collectivism were hard at work as Jurowski’s decidedly undictatorial style fostered a strong on-stage community amongst the London Philharmonic Orchestra and Choir, who ultimately conjured Elysium itself.

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Londres

26 jul 2016

Prom 13: LPO and Jurowski in Beethoven 9 & Lindberg

Por Phil Barrett

Lyon

Une Lady Macbeth sublime d'horreur à l'Opéra de Lyon

Por Camille Grimaud, 27 enero 2016

Tcherniakov flirte avec l'insoutenable à l'Opéra de Lyon en proposant une Lady Macbeth d'une cruauté sans égal.

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Lyon

29 ene 2016

Une Lady Macbeth sublime d'horreur à l'Opéra de Lyon

Por Camille Grimaud

A Lady Macbeth of Mtsensk at ENO to hit you between the eyes

Por David Karlin, 26 septiembre 2015

Dmitri Tcherniakov turns Shostakovich's "satirical tragedy" into a riveting piece of theatre, help by an outstanding performance from Patricia Racette and a top class orchestral performance from new ENO Musical Director Mark Wigglesworth.

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Londres

27 sep 2015

A Lady Macbeth to hit you between the eyes

Por David Karlin

Bayreuth

Overly busy Castorf Rheingold distracts from the music at Bayreuth

Por David Larkin, 27 julio 2015

The first installment of Frank Castorf's controversial Ring is applauded on its 2015 revival at Bayreuth, but arguably the incessant visual action detracts from the appreciation of the music.

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Bayreuth

29 jul 2015

An overly busy Castorf Rheingold

Por David Larkin

Berlín

Moses und Aron at the Komische Oper in Berlin commemorates the liberation of Auschwitz

Por Simon Rees, 28 abril 2015

Barrie Kosky's production of Schoenberg's unfinished masterpiece is brought to musical life by Vladimir Jurowski's intense and compelling interpretation.

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Berlín

01 may 2015

Berlin Moses und Aron commemorates liberation of Auschwitz

Por Simon Rees

Utrecht

An Invigorating Performance of Elgar's The Kingdom by Edward Gardner in Holland

Por David Pinedo, 03 abril 2015

Edward Gardner and Edward Caswell offered the British choir tradition in the form of Elgar's The Kingdom as a refreshingly programmed alternative to the many Bach passions. The combined choirs excelled together with an impressive Edith Haller.

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Utrecht

05 abr 2015

An Invigorating Performance of Elgar's The Kingdom by Edward Gardner in Holland

Por David Pinedo

Madrid

The universalization of Britten: Death in Venice in Madrid

Por Fernando Remiro, 04 diciembre 2014

Death in Venice makes its première in Madrid with a rational and symbolic production by Willy Decker.

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Madrid

08 dic 2014

The universalization of Britten: Death in Venice

Por Fernando Remiro

Prom 76: A fitting close for the 2014 Proms season

Por Hazel Rowland, 13 septiembre 2014

Sakari Oramo takes the reins for his first Last Night of the Proms, alongside dazzling violinist Janine Jansen and the BBC Symphony Orchestra.

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Londres

15 sep 2014

A fitting close to the Proms season

Por Hazel Rowland

Elektra at Covent Garden

Por David Karlin, 23 septiembre 2013

In the Royal Opera revival of Richard Strauss’s Elektra, the overwhelming theme is blood, both metaphorical and literal.

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Londres

24 sep 2013

Elektra at Covent Garden

Por David Karlin

Nasty Children at the Bayerische Staatsoper

Por Max Woods, 06 noviembre 2011

The pairing of Ravel’s L’Enfant et les Sortilèges (“The Child and the Spells”) with Zemlinsky’s Der Zwerg (“The Dwarf”) is an interesting juxtaposition.

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