Three Masterpieces in Zurich

Por Sarah Batschelet, 12 octubre 2015

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“Each has pushed the physical boundaries and narrative possibilities of modern dance”

Crítica hecha desde Opernhaus, Zürich el 11 octubre 2015

In the Middle, Somewhat Elevated (William Forsythe, Jiří Kylián, Ohad Naharin)

Gods and Dogs (Jiří Kylián)

Minus 16 (Ohad Naharin)

Ballett Zürich

Ballett Zürich Junior Company

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Stylish and stirring: Turn It Out With Tiler Peck & Friends

Carla Escoda, 16th October

Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

ENB: R:Evolution showcases tenacity, legacy and talent

Deborah Weiss, 1st October

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

****1

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Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.

Three Choreographers, Three Masterpieces: Zürich Ballet Triple Bill