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Scottish Opera’s double bill of Trial by Jury and the world premiere of Toby Hession’s fun-packed A Matter of Misconduct! features an ensemble cast, mostly of Emerging Artists. 

With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous. 

Pekka Kuusisto and Simon Crawford-Phillips lead the Scottish Chamber Orchestra in a musical arc featuring works by Britten, Adès, Andres, Beamish and Haydn. 

The Royal Conservatoire of Scotland perform Haydn’s seldom heard opera in a lively and finely sung ensemble production, directed by Jamie Manton. 

Ellington’s take on Tchaikovsky, Barber’s Violin Concerto with Randall Goosby and Dvořák’s New World Symphony introduced Patrick Hahn as the RSNO’s Principal Guest Conductor. 

Scottish Opera’s Albert Herring is updated to 1990 in Daisy Evans' likeable production, finely sung with a tight ensemble. 

Barbe and Doucet’s witty 1960s Don Pasquale is revived for Scottish Opera, with Stuart Stratford conducting a fine cast. 

Marx in London! receives its UK premiere in Glasgow, with David Parry conducting the colourful score, and Stephen Barlow directing. 

RCS Opera moves in Heggie’s emotional Three Decembers and chills in Menotti’s The Medium directed in the studio by Matthew Eberhardt, chamber ensembles ably conducted by William Cole.

Sir Thomas Allen returns to Scottish Opera to revive The Barber of Seville with a strong cast headed by Samuel Dale Johnson, Anthony Gregory, David Stout and Simone McIntosh. 

Martyn Brabbins and the BBC Scottish Symphony, in partnership with musicians from the Royal Conservatoire of Scotland, present a new work from Mingdu Li, Glière’s Horn concerto and an immense Shostakovich 11.

Fine singing from Justina Gringytė, Alok Kumar and Hye-Youn Lee lead a strong supporting cast, with Dane Lam conducting the Scottish Opera Orchestra and Chorus on top form.

Scottish Opera’s 60th birthday present proves a triumph, with outstanding singing from Karen Cargill, Sunyoung Seo, Viktor Antipenko and Roland Wood. 

In a warm Glasgow homecoming, Sir Donald Runnicles gives a magnificent, moving Mahler 9, the BBC Scottish Symphony Orchestra. 

The spirited principals and chorus of the Royal Conservatoire Scotland are directed by PF Harris in Chabrier’s fizzing opéra bouffe.

John Butt directs the Dunedin Consort and a top team of soloists in St Mary's Cathedral for Handel's seasonal favourite. 

The programme featured Sibelius's vividly terrifying Tapiola, alongside a gorgeous Four Last Songs with Elizabeth Llewellyn and Vaughan Williams's wistful Fifth Symphony.

Scottish Opera’s visually stunning new production is headed by a strong trio of Lauren Fagan, Julieth Lozano and Samantha Hankey. 

Martyn Brabbins celebrates with a world premiere from Errollyn Wallen, Evelyn Glennie revisiting iconic MacMillan and a broad, noble Elgar First Symphony.

Set in the sinister backstreets of Venice, this production from 2013 boasts strong singing all around and brisk, bright conducting by Stuart Stratford.

BBCSSO bids a fitting farewell to outgoing Chief Conductor Thomas Dausgaard with two epic Nielsen symphonies and memorable Mozart from clarinettist Jörg Widmann.

The RCS performs Jonathan Dove’s Flight with his specially commissioned reduced orchestration, with very fine ensemble singing. 

Dominic Hill brings a touch of the theatre to a finely sung new production of Britten's opera, with Stuart Stratford conducting a driven ensemble.

Intensely dramatic Berlioz with mezzo Catriona Morison with the RSNO and Thomas Søndergård, framed by Bert Sørensen’s vivid Evening Land and a sparklingly fresh Sibelius 2.

A semi-staged concert that boasts strong musical performances and appealing production values makes a spirited case for reappraising Gilbert and Sullivan's penultimate collaboration.

Stuart Maunder directs a lavishly costumed cast, Derek Clark conducts fine playing and singing and Isabel Baquero’s choreography sparkles.

Thomas Søndergård steers the RSNO into the finale of their first digital season with Nicky Spence luminous in Britten’s Les Illuminations and the players joyous in Beethoven’s Fifth Symphony.

Clever stage touches and great voices are enough to win over even the stoniest of hearts.

Life, death, childhood, community and love are celebrated in Songs for Life by Karen Cargill with the Scottish Ensemble in an exquisitely filmed performance.

The Royal Scottish National Orchestra and its chief conductor Thomas Søndergård have little to say about Beethoven’s First Symphony, but in partnership with Midori much more about that composer’s Violin Concerto.

RSNO opens its digital season with Thomas Søndergård conducting Haydn’s The Bear and Beethoven’s Eroica. The extraordinary tale of Joseph Bologne links all as Maya Iwabuchi plays his Violin Concerto in A major.