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Ballet Central provides an extremely varied programme of new and old, classical and contemporary dance, with plenty of aplomb.

A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.

A varied programme had been put together with professionalism and dedication, so plaudits are due to all involved.

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 

Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 

Liang Fu impresses as a regal and macabre, majestic and creepy Dracula in Michael Pink's ballet.

Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

Northern Ballet reaches its half-century with a gala at Leeds Grand Theatre featuring highlights from its "greatest hits".

The second Dance@TheGrange builds on its reputation for fearless programming, with performances from Company Wayne McGregor and Ballet Black, and a standout new work by Ballet Black's Mthuthuzeli November

If you love Jane Eyre, stick to the novel. There's more female empowerment in those pages than in Cathy Marston's choreography.

Princess Beatrice scratches history from the record in Cathy Marston’s biographical ballet at Sadler’s Wells.

Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.

The world première of Michael Pink's Mirror Mirror for Milwaukee Ballet: a modern reworking of the Snow White fairy tale, with original score by Philip Feeney. 

Northern Ballet thrills the Edinburgh Festival Theatre with its performance of David Nixon’s Cinderella set in imperial Russia.