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A rare outing for Britten's Piano Concerto in the opening concert of the Britten Weekend in Suffolk.

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

Kitty Whately’s parents, Kevin Whately and Madelaine Newton, joined the mezzo and pianist Joseph Middleton, reading poetry to illuminate the themes of the song groups.

The Fantasia on a Theme by Thomas Tallis crowned an evening for the CBSO strings and brass to shine at Symphony Hall. 

Geraint Bowen directs the Three Choirs Festival Chorus and Philharmonic Orchestra at Hereford Cathedral in two works once unfairly dismissed.

A delectable programme from Barry Wordsworth and the Royal Philharmonic Orchestra with pieces by Elgar and Vaughan Williams and a rare chance to hear John Ireland’s eclectic Piano Concerto.

A pleasant afternoon's entertainment with grand sweeps and some beautiful singing by Roderick Williams.

Songs of the Sea, the opening concert of the Leeds Lieder Festival, leaves the audience in a happy and buoyant mood.

Wednesday night saw the masterful rendition of British songs, by the legendary baritone at Manchester’s Bridgewater Hall, part of the ‘Echoes of a Mountain Song’ series. 

Hashimoto is clearly a brilliant technician, but often felt overly cautious in this St John's Smith Square programme.

James Gilchrist and Royal Northern Sinfonia conjure up the hills of Yeats' Ireland and Housman's Shropshire in a Late Mix concert at Sage Gateshead.

What an auspicious first outing for Andrew Manze with the LPO, concluding with a definitive account of Walton's First Symphony. 

Prom 58’s afternoon concert of light organ music was created to showcase the Royal Albert Hall’s enormous Henry Willis organ. It was the largest of its kind when it was originally built in 1871 and although now only the second largest in Britain, the instrument still consists of 9,997 pipes and 147 stops.

As London became a vision in white and all went quiet, the Southbank Centre was abuzz with all manner of arts-related activities. One rail replacement bus and a brisk walk behind me, I had made it to see the Philharmonia Orchestra’s matinee concert of 20th-century English music, framed around John Ireland’s Piano Concerto.

Those few seconds of breathless silence at the end of a recital before thunderous applause are a rare thing, and a sure sign that the evening has been a success. Such was the case at the Wigmore Hall on Wednesday night after Roderick Williams and Gary Matthewman were called back to the stage for a second encore.

Prom 23 served up a menu of English music from the first half of the 20 century in all its variety, with impressionism by Delius, the lush strings of Vaughan Williams, heroic brass from Ireland, and jazzy, sophisticated excitement from Walton.The programme opened with a warmly affectionate performance of Vaughan Williams’ Fantasia on a Theme of Thomas Tallis.

A second scorching day in Hereford at the Three Choirs Festival concluded with another excellent concert.Before an audience that filled the cathedral to capacity, the Philharmonia Orchestra assembled on the platform and a warm welcome was given to conductor Peter Nardone.The concert opened with John Ireland’s evocative orchestral opus A London Overture.

This was a fine demonstration of the fact that the Three Choirs Festival is not just about singing. Nor is it confined to the cathedral, as this morning’s recital took place in the elegance of Hereford’s Shirehall.

On Sunday afternoon the most recent recipient of the prestigious Kathleen Ferrier Award, Kitty Whately, was welcomed to the Clothworkers’ Hall by Leeds Lieder, an organisation founded in the hope of introducing art song to a new audience.

Clarinetist Peter Cigleris teamed up with pianist Martin Cousin for a wonderful lunchtime break. Peter Cigleris studied at the Birmingham Conservatoire and the Royal College of Music, and has performed in many venues across Europe premièring several new works for the clarinet. With a tone and technical ability to impress, he performed on a Peter Eaton Elite clarinet made for him in 2001.

These Conway Hall Sunday Evening Concerts are always good value, but this one was especially generous: there was a ‘pre-concert recital’, 40 mins before the concert proper. As we were taking our seats, pianist Hiro (Hiroaki) Takenouchi was still driving frantically to the venue, having been severely held up in traffic.

Comme chaque année, Matthieu Esnult a offert au public basque un récital de grande qualité au cœur de St-Jean-de-Luz, cette fois-ci au côté de son ami violoniste Yury Revich.

Pour leur passage annuel à la Salle Gaveau, les King's Singers ont proposé un panorama de la musique anglaise de Byrd aux Beatles (en passant par Britten) : ils ont été royaux !