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Cristian Măcelaru conducts The Hallé in music by Copland, Bernstein and Gershwin, plus his own arrangement of Jake Heggie's Moby Dick.

Jake Heggie's Dead Man Walking is credited as being the most performed 21st-century opera, and with good reason.

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic. 

Jake Heggie's spectacular vocal writing combine with Terence McNally's perfectly paced libretto to provide intense music drama which forces you to confront darkness.

Jake Heggie's story of redemption captivated the Teatro Real audience thanks to a solid cast and an effective production

Dead Man Walking is currently the most frequently performed contemporary American opera. Joel Ivany's staging, first mounted in Vancouver, opened recently at Minnesota Opera just days after the opera's Spanish première in Madrid. 

American composer Jake Heggie's early opera performed by Washington National Opera was one of those rare experiences of an opera full of raw power and wrenching emotion with superb performers that one is not likely to forget soon.

Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.

American composer Jake Heggie makes his Los Angeles Opera debut in this powerful performance of his 2010 opera, Moby-Dick.

A new bel canto opera, a pro football team, and the future of American Opera--all in a day's work for Heggie, McNally, DiDonato, and von Stade.

Opera Parallèle’s superb production of Heggie's Dead Man Walking reveals a prism of anger and forgiveness. 

Jennifer Larmore’s eclectic song recital themed around love and longing was uneven, but the heartfelt American songs left one craving for more.

Ailyn Pérez and Stephen Costello open San Diego Opera's season in a generous duo recital.

Visceral. Frightfully real. Paralyzing in its potency. These are words which I might use to try and describe Jake Heggie’s opera Dead Man Walking.

Though reports of the work’s importance and dramatic power have attended it since its 2010 premiere in Dallas, I doubt many in the audience of the War Memorial Opera House on Wednesday night were prepared for the impact of Jake Heggie’s Moby-Dick.