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Yuja Wang's performance of Tchaikovsky's First Piano Concerto may have been the main draw, but Yannick Nézet-Séguin paired the familiar centerpiece with two neglected works by 20th-century American composers.

Carl Orff's bawdy choral work shares a program with the sweet and sincere Credo, a rediscovered work by the American composer and arranger Margaret Bonds.

Gemeinsam mit seinem Begleiter Wolfram Rieger gestaltet der Bariton einen Abend für die Freiheit und Menschenrechte.