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Yuja Wang's performance of Tchaikovsky's First Piano Concerto may have been the main draw, but Yannick Nézet-Séguin paired the familiar centerpiece with two neglected works by 20th-century American composers.

Carl Orff's bawdy choral work shares a program with the sweet and sincere Credo, a rediscovered work by the American composer and arranger Margaret Bonds.

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

Gemeinsam mit seinem Begleiter Wolfram Rieger gestaltet der Bariton einen Abend für die Freiheit und Menschenrechte.