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Davóne Tines’ Carnegie Hall recital debut brings eclecticism and egalitarianism

Davóne Tines
© Jennifer Taylor
Adam Nielsen and Davóne Tines
© Jennifer Taylor
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“he was there to present a continuity, not to declare revisionist equanimity”
Reviewed at Carnegie Hall: Weill, New York City on 3 November 2022
Shaw, Kyrie
Bach, Vergnügte Ruh, beliebte Seelenlust - Cantata, BWV170 (Wie jammern mich doch)
Shaw, Agnus Dei
Sorey, Songs for Death: Were You There When They Crucified My Lord?
Bonds, To a Brown Girl, Dead
Sorey, Songs of Death: Swing Low, Sweet Chariot
Shaw, Credo
Bach, St Matthew Passion, BWV 244: Mache dich, mein Herze, rein
Shaw, Gloria
Hogan, Give Me Jesus
Shaw, Sanctus
Eastman, The Holy Presence of Joan d'Arc: prelude
Dieudonné, Vigil
Davóne Tines, Bass-baritone
Adam Nielsen, Piano
A vocally perplexing economics assignment from David Lang
***11
Sonnambula and Davóne Tines restore a court entertainment at The Frick
****1
Finnish mythology brought to life as the Sibelius Festival opens
****1
The Greatest Story Ever Told gets a new look in the Met's El Niño
****1
Zest and spirit in Adams' Girls of the Golden West in Los Angeles
****1
An unlikely meeting of Morton Feldman and the blues
*****
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