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The Orchestra of the 18th Century proves the main asset of a rewarding Don Giovanni at the Amsterdam Concertgebouw. 

Mary Bevan’s bewitching soprano is the star of a glorious programme of music by Ravel and his contemporaries.

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.

Oliver Mears' impressively-cast farewell production in Belfast combines gripping drama and exuberant fun in a symbol-packed reading of Don Giovanni. 

At the Amsterdam Concertgebouw, the Orchestra of the 18th Century conducted by Kenneth Montgomery gave a lively and expressive performance of Mozart’s Nozze, that emphasized the witty charm of the piece. Soloist included Henk Neven’s aristocratic Count and Ilse Eerens’ delightful Susanna.

At the Muziekgebouw, Amsterdam, Dutch baritone Henk Neven and pianist Hans Eijsackers charmed an enthusiastic audience with a programme of Ravel, Ibert, Schubert and Spanish songs arranged by Norwegian composer Arne Dørumsgaard.

After Cavalli’s Ercole Amante in 2009 and Handel’s Deidamia in 2011, De Nederlandse Opera is continuing its exploration of obscure Baroque operas with Gluck’s Armide, until 27 October.I always wondered why Armide was Gluck’s own favourite work.

Who says life isn’t a dress rehearsal? Saturday night at the Proms was just that for New York-born Marin Alsop, for when she returns to the Royal Albert Hall in two weeks’ time she will make Proms history as the first female conductor to preside over the Last Night.

La saison lyrique de l’Opéra de Dijon s’ouvre sur une production de Castor et Pollux qui ne laisse personne indifférent.