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The Opernhaus Zürich revives Sven-Eric Bechtolf's 2011 production of Verdi’s last masterpiece with a solid supporting cast. 

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether. 

David Alden beschreitet einen Mittelweg zwischen Ausstattungsoper und Regietheater, Enrique Mazzola baut seinen historischen Ansatz aus, und Inga Kalna vermag die Erwartungen nicht ganz zu erfüllen.