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While Kalle Randalu proves an amiable soloist in the First Piano Concerto, it is Beethoven the firebrand who startles in Paavo Järvi's account of the First Symphony with the Tallinn Chamber Orchestra.

A portrait concert of music by Arvo Pärt, while single-mindedly contemplative in tone, proves surprisingly absorbing in the hands of his most authoritative interpreters.

The Tallinn Chamber Orchestra deliver a bold but challenging programme of atonal works.

A high-flying, zip-wire staging of Haydn's The Creation in Tallinn. 

“Two Ladies”, the title of this afternoon’s concert of the Estonian Music Days festival, referred to its two violin soloists, Triin Ruubel and Juta Õunapuu-Mocanita.

Arvo Pärt a fait le déplacement à la Philharmonie pour cette soirée entièrement consacrée à sa musique, avec l'Orchestre de chambre de Tallinn et le Chœur philharmonique de chambre d'Estonie.