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A climate-centered concert features water-themed works by Britten and Takemitsu, but is built around the stunning New York premiere of Become Desert, a co-commissioned piece by John Luther Adams.

Igor Levit's pianissimo playing is the highlight of his Brahms, but for all its vaunted acoustics, Carnegie Hall is sometimes not kind to concerto soloists.

A premiere and a rarity cap New York Philharmonic’s mini-festival “Authentic Selves: The Beauty Within” created in partnership with Artist-in-Residence, countertenor Anthony Roth Costanzo. 

Anthony Roth Costanzo and Justin Vivian Bond were authentic to their their dramatic, flamboyant, passionate selves, finding common ground in carefully crafted medleys and duets.

The New York Philharmonic resumed its laudable “Project 19” with a world premiere by Joan Tower, along with a Mozart piano concerto and Dvořák’s Seventh Symphony.

Ellen Reid’s evocative new work and Renée Fleming’s set of songs from her album “Distant Light” were the highlights of a program that included an uninspiring Bruckner Fourth Symphony.

Janine Jansen and the New York Philharmonic gave a transcendent, once-in-a-lifetime performance of the Brahms Violin Concerto. Tania Leòn’s new work and a Strauss suite paled in comparison.

The satisfying kick-off to the New York Philharmonic’s Project 19 women’s commissioning project shared a bill with a disappointing Haydn cello concerto and a rewarding Mozart Mass.

The New York Philharmonic opened its season last night with a splendidly conceived mash-up of selections from Prokofiev’s Romeo and Juliet. Unfortunately, the first half of the concert was less compelling.

Three Slices of Mozart: From Boy to Prankster to Master

The New York Philharmonic premieres Julia Wolfe’s remembrance of the victims of the 1911 Triangle Shirtwaist Factory fire and plays an elegy to LBJ and an Aaron Copland jazz concerto.