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Alessandro Talevi's gorgeous staging recreates Tosca as it might have been seen at its 1900 première. 

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

Good overall singing, but the Steinberg's conducting was completely subordinate to the stage directions.

An intriguing combination which mixes up together the exuberant sensuality of Granados’ one-act-opera, the gloomy shades and the melancholy liturgy of Suor Angelica.

The magnificent Teatro Colón in Buenos Aires welcomed a full house to the production of Falstaff starring Ambrogio Maestri, the world’s primary portrayer of the pompous knight. Unfortunately, one singer does not an opera make.

An attractive double bill of opera and zarzuela paves the way to a new way of performing this fascinating Spanish genre.