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Patterns in motion: Sasha Waltz & Guests dance Riley’s In C

By Marat Ingeldeev, 29 April 2025

An evening of thrilling choreography and seamless synergy between dance and music, as Sasha Waltz & Guests and the London Sinfonietta bring Terry Riley’s legendary In C to life.

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London

30 Apr 2025

Patterns in motion: Sasha Waltz & Guests dance Riley’s In C

By Marat Ingeldeev

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Berlin

Back to modernity: Sasha Waltz’s Sacre at the Haus der Berliner Festspiele

By Katja Vaghi, 27 June 2024

Fil rouge modernity for Sasha Waltz & Guests triple bill Sacre at the Haus der Berliner Festspiele.

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Berlin

30 Jun 2024

Back to modernity: Sasha Waltz’s Sacre

By Katja Vaghi

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An online Beethovenathon: all nine symphonies across Europe in one day

By Alexander Hall, 06 June 2021

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

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Unknown

07 Jun 2021

An online Beethovenathon: all nine symphonies across Europe in one day

By Alexander Hall

Berlin

Of Digital and Archaic Murmurings: Sasha Waltz & Guests’ Rauschen at the Volksbühne

By Katja Vaghi, 07 March 2019

Only a couple of months after the reprise of Körper and Kreatur, Rauschen, Sasha Waltz' & Guests' new marathon of images, talks of robots, confessions of violence and archaic tribes.

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Berlin

09 Mar 2019

Sasha Waltz and Guests' Rauschen premieres at the Volksbühne

By Katja Vaghi

Berlin

On being alive: Body of evidence, Sasha Waltz’s Kreatur at the Radialsystem

By Katja Vaghi, 19 December 2018

After a long break from creations solely for dance, Sasha Waltz’s Kreatur is a step into a new aesthetic direction presenting the body as a living unit of microcells and anatomical fragments at the Radialsystem

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Berlin

22 Dec 2018

Sasha Waltz’s Kreatur at the Radialsystem

By Katja Vaghi

Berlin

No body left behind: Sasha Waltz & Guest and Hans Peter Kuhn Körper at the Haus der Berliner Festspiele

By Katja Vaghi, 06 December 2018

A mesmerising catalogue of the body’s uses and abuses in our society, Sasha Waltz & Guest presents Körper an old-time favourite at the Haus der Berliner Festspiele.

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Berlin

08 Dec 2018

No body left behind: Sasha Waltz & Guest and Hans Peter Kuhn Körper

By Katja Vaghi

Berlin

Celebrating 25 years of creative vortex with Dialogue – wirbel: improvisationen

By Katja Vaghi, 07 April 2018

Anniversaries are best celebrated with friends: Sasha Waltz & Guests’ “dialogue – wirbel: improvisationen” is a magical celebration of 25 years of Waltz’ unique universe at the Radialsystem in Berlin

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Berlin

09 Apr 2018

Celebrating 25 years of creative vortex

By Katja Vaghi

London

Körper, Sasha Waltz & Guests' architectural dance

By Graham Watts, 01 March 2018

Not for anyone seeking an evening of entertaining dance theatre – dance is seldom used but when it comes, it is to great effect – but it is certainly a challenging treatise on our perceptions of body (and also gender) norms

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London

09 Mar 2018

Körper, an architectural dance

By Graham Watts

New York City

Sasha Waltzes into BAM with Continu

By Andrew Blackmore-Dobbyn, 04 December 2015

Hwanhee Hwang excels in Sasha Watlz and Guests' Continu.

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New York City

06 Dec 2015

Continu waltzes into BAM

By Andrew Blackmore-Dobbyn

London

A very physical yet enigmatic and vague Sacre

By Cristina de Lucas, 11 November 2015

Sasha Waltz & Guests reimagine L’après-midi d’un faune, Scène d’amour (from Roméo et Juliette) and Le sacre du printemps at London’s Sadler’s Wells.

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London

13 Nov 2015

Sasha Waltz's enigmatic Sacre

By Cristina de Lucas

Berlin

Footloose and fancy-free: Roméo et Juliette at the Deutsche Oper Berlin

By Christie Franke, 18 April 2015

Donald Runnicles leads the Deutsche Oper Berlin in Sasha Waltz's production of Berlioz's dramatic symphony.

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Berlin

21 Apr 2015

Roméo et Juliette: Footloose and fancy-free

By Christie Franke

Berlin

Provocative balletic reimaginings at the Staatsoper

By David Larkin, 14 November 2014

Sasha Waltz's innovative and singular choreography bears on Stravinsky's Rite of Spring and Debussy's L'après midi d'un faune. A provocative, engaging evening at the Staatsoper in Berlin.

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Berlin

16 Nov 2014

Waltz's Sacre,and more

By David Larkin

London

Sasha Waltz and guests at Sadler's Wells: Continu

By Kit Brown, 28 September 2012

The first of Continu’s three distinct sections is a focused, musical study to Iannis Xenakis’ Rebonds B, a solo percussion piece performed live by Robyn Schulkowsky. Sasha Waltz animates the rhythms and patterns of the music, layering the individual movements of a group of dancers in irregular formations to build the complexity of the score.

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London

01 Oct 2012

Sasha Waltz and guests at Sadler's Wells: Continu

By Kit Brown

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Paris

Sasha Waltz et Leonardo García-Alarcón au service de la Passion selon saint Jean au TCE

By Julie Jozwiak, 05 November 2024

C’est plus qu’un oratorio à écouter ou un ballet à admirer que nous offrent les artistes réunis pour l’occasion : il s’agit d’un véritable voyage ésotérique, entremêlant sensoriel et symbolique.

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Paris

08 Nov 2024

Waltz et García-Alarcón au service de la Passion selon saint Jean

By Julie Jozwiak

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Barcelona

Libertad, electrónica y lluvia: Sasha Waltz & Guests y su Beethoven 7

By Maria Sánchez, 06 July 2023

Después de un estreno anulado por las condiciones metereologócias, la Beethoven 7 de Sasha Waltz & Guests finalmente se llevó a cabo en el Teatre Grec de Barcelona.

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Barcelona

09 Jul 2023

Libertad, electrónica y lluvia: Sasha Waltz & Guests en el Grec

By Maria Sánchez

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Madrid

Renovado Orfeo: Monteverdi a través de la danza de Sasha Waltz

By Leonardo Mattana Ereño, 20 November 2022

La meticulosa dirección de García Alarcón y la cuidada propuesta de Sasha Waltz redundan en un espectáculo en el que la centralidad de la música se ve reforzada por una coreografía que construye el espacio y las relaciones entre personajes.

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Madrid

21 Nov 2022

Renovado Orfeo: Monteverdi a través de la danza de Sasha Waltz

By Leonardo Mattana Ereño

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Berlin

Plongeon dans la destinée de Didon et Énée vue par Sasha Waltz

By Emma Granier, 16 January 2022

Pour trois représentations, le Staatsoper Unter den Linden hisse le drapeau du baroque en affichant la désormais célèbre mise en scène de Didon et Énée par la chorégraphe allemande Sasha Waltz.

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Berlin

18 Jan 2022

Plongeon dans la destinée de Didon et Énée vue par Sasha Waltz

By Emma Granier

Berlin

Packend und einfühlsam: Sasha Waltz & Guests rocken mit In C im radialsystem Berlin

By Michael Klier, 06 March 2021

Zur Musik von Terry Riley entstand eine spontane, experimentelle und überwältigende Choreografie.

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Berlin

07 Mar 2021

Packend und einfühlsam: Sasha Waltz & Guests rocken im radialsystem

By Michael Klier

Madrid

El canto mítico de las aguas modula la danza en el Dido & Aeneas de Sasha Waltz

By Cintia Borges Carreras, 31 March 2019

La madurez del Dido & Aeneas de Sasha Waltz hilvana ópera y danza en trazos invisibles que erizan la piel y recrea un relato legendario con aires de vanguardia.

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Madrid

02 Apr 2019

El canto mítico de las aguas modula la danza en Dido & Aeneas

By Cintia Borges Carreras