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A revisiting of Vardimon’s past work in a collage of important ideas from her existing repertoire, stirred in with new choreography, design and sound.

Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.

Students from the Jasmin Vardimon Company's development programme JV2 impress in the company's purpose-built premises in Ashford.

Albery's production allows the opera to speak for itself, although sluggish pacing in the pit detract from the musical merits of this revival. 

Tim Albery's 2010 production of Tannhäuser, receiving its first revival at Covent Garden, begins with a stylish opening 20 minutes, but thereafter things become rather bland. 

If you are like me and have ever wondered how a crime story would be transposed into dance, Jasmin Vardimon’s Justitia is the show for you. Recipient of the 2013 International Theatre Institute Award for Excellence in Dance, Vardimon, who was raised on an Israeli kibbutz, is one of the leading force in British dance theatre.

In what way would you set the stage for an exploration of freedom? Jasmin Vardimon’s vision adorns the Sadler’s Wells stage with large, spinning set pieces dripping with duct tube and green vines of industrial plastic. A camouflaged blanket made of rustling synthetic leaves makes sporadic entrances and exits to the scene.