Live, Video: Find classical music concert, opera, ballet and dance reviews | Robert Brubaker

With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.

Despite a strong vocal and orchestral performance, David Hockney's sets are still the main draw for San Francisco Opera's Turandot. 

A thought-provoking production and killer cast make San Francisco Opera's Elektra top-notch music drama.

San Francisco Opera's Turandot is a feast for the eyes and ears, but the drama falls flat.

A righteous, politically-relevant but musically questionable world premiere of Philip Glass' revised Appomattox.

In director Daniel Slater’s production at Santa Fe Opera this summer, Freud is God, and a biblical saga of lust, incest and murder is presented through a Viennese, turn-of-the-century lens. 

A triumph for Los Angeles Opera's new production of John Corigliano's The Ghosts of Versailles.

The Met's holiday special, Hänsel und Gretel, is a treat not only for young children but for adults with its sophisticated music, excellent singing ensemble and orchestra playing, as well as its witty production.

The Dallas Opera adds a light touch to a Richard Strauss' decidedly unfunny opera Salome, featuring soprano Deborah Voigt in the title role. 

During the opening night of Anna Nicole at BAM, I found myself experiencing a case of déjà vu. New York City Opera was electrifying the Howard Gilman Opera House with a work by a living composer featuring the salacious story of a female protagonist whose life was splashed across tabloids, and at one point even featuring an act of fellatio with the disjointed music carrying on in the background.

Read our review of Peter Sellars' production of Nixon in China by John Adams, in its 2011 broadcast from the Met Opera in New York.

A ring of invisibility found in a giant fish. A voyeuristic king. A fisherman’s burning house and unfaithful wife. Alexander Zemlinsky’s Der König Kandaules is an exceptionally strange opera. Based on André Gide’s 1899 play of the same title, it is a heady mix of sex, violence, and remarkably beautiful music.