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Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.

Mercadante's score proves to be something of a missing link between bel canto and early Verdi. 

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

In Livermore's staging the scheme becomes meta-cinematographic: the poet Prosdocimus here has Marcello Mastroianni's features in Fellini's film 8 ½.

Juan Diego Flórez plays the role for the first time on stage and it's a vocal triumph 

Après sa présentation au Festival d'Aix-en-Provence l'été dernier, la mise en scène de Tobias Kratzer fait ses débuts sur la scène lyonnaise, avec la même réussite.