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Fine vocal and musical performances can't overcome Sláva Daubnerová's staging which misses the mark.

“Who's dead, you or the old man?” asks Leporello after Don Giovanni’s duel with the Commendatore. What if the answer was that they had both received fatal wounds?

Even without the costumes and choreography, Collegium 1704's presentation of Arsilda was enthralling.

Jonathan Kent claims one of the great difficulties of Mozart-Da Ponte’s 1787 dramma giocoso is ‘the collision of an extraordinary variety of music and mood within it’

Seeing Don Giovanni at the Estates Theatre in Prague is a special occasion, for two reasons. Firstly, for the history: it’s the theatre where the opera was first performed, back in 1787. Secondly, because today’s Estates Theatre is one of the loveliest opera houses you will find anywhere. Seating just 643, it’s an intimate space, in the classic horseshoe parterre-plus-boxes configuration.

Quatrième opera de Vivaldi, Arsilda regina di Ponto revit dans un spectacle international et dans une mise en scène néoclassique qui donne aux personnages une réelle profondeur psychologique. A découvrir de toute urgence pendant l’itinérance de l’œuvre !