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Lyric Opera of Chicago revives its diverting and divisive 2015 original production by Barbara Gaines, who does it like a Shakespearean sex farce. 

Glimmerglass Opera Festival’s production of Candide leans heavily on a dry comedic sensibility, which most of the cast execute admirably.

Musically and dramatically, Jay Lesenger's production makes a strong case for John Corigliano's sole opera.

Whether it’s half an opera, three quarters an operetta, or a musical and a half, Francesca Zambello’s team put together a production that was easy to fall in love with. 

The Glimmerglass Festival in Cooperstown, New York always does themed seasons. This year the season was about the idea of home. As such, the production directed by Francesca Zambello was updated from the Middle Ages to a modern-day refugee camp.

Robert Longbottom's take on Donizetti's Daughter of the Regiment captures the spirit of bel canto in Washington DC. 

What makes this Figaro memorable and admirable is the way it manages both to be sprightly in its tone and details and also luxuriant in places that another director might have blown through.

Opera god meets Hollywood royalty on stage at the Coliseum, in a transatlantic production which heralds the ENO's intention to bring musical theatre back into their repertoire. 

Pour la production de ce Candide, le Capitole recevait un plateau et une équipe presque entièrement issus des milieux américains, faisant souffler dans l’enceinte du théâtre un vent de fraîcheur et de nouveauté.