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Christoph Altstaedt conducts the Ulster Orchestra in a charming programme of quintessentially Viennese music for New Year.

Requiring trained opera singers to focus primarily on acting and asking actors to sing in a renowned opera house puts everyone out of their comfort zone, which is not necessarily a bad thing.

“Acting is the expression of a neurotic impulse. It’s a bum’s life,” stated the late, great Marlon Brando. Felix Breisach took this idea to heart when staging his modernized Figaro in a mental institution.

Regisseur Marco Štorman inszeniert einen Abend, der ganz aus dem Geist von Adams' Musik lebt.

L’œuvre de Rossini donnait l’occasion à la mise en scène (Laura Scozzi) d’explorer les réminiscences contemporaines offertes par le livret d’Angelo Anelli. L’angle choisi est celui des relations, plutôt conflictuelles et violentes entre hommes et femmes.