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Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 

The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving. 

An astonishing performance by Asmik Grigorian is central to the Italian director's disturbing reading of a disturbing opera. 

Romeo Castellucci's captivating Moses und Aron was a major success, a bold reminder of the boundless power of opera.