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Tragic love, deceit, retribution... and Plácido Domingo. Despite its darkness, the Wiener Staatsoper's revival of Simon Boccanegra makes for an enjoyable evening. 

Harding's grasp of the work's architecture that provides overall coherence. That, combined with the pithy, pulsing core he forges at its heart, makes this performance as engaging as it is polished.

Were it not for a sterling musical display, built on the shoulders of bass Ferruccio Furlanetto and conductor Myung-whun Chung, this could have been a very long night indeed.

It took Vienna State Opera almost 90 years to present Leos Janacek's Věc Makropulos, but in Peter Stein's production, it was worth the wait.

With elegant sets and superlative musicianship, Verdi came to life in the House where he is revered most. This musical feast will have us licking our lips for some time yet.

Peter Steins Inszenierung spiegelt gekonnt ein Werk wider, in dem sich musikalische Schlichtheit und üppiger Klang abwechseln.

Pour clôturer la saison, le théâtre du Bolshoï donne sa version de la Damnation de Faust de Berlioz, avec la complicité du metteur en scène allemand Peter Stein. Version respectueuse du livret et de la partition, qui cherche la beauté et la force expressive avant tout.