An affectionate Trout played by long-standing colleagues and friends from Royal Northern Sinfonia, along with Imogen Holst's Phantasy Quartet and Thomas Adès's fascinating Piano Quintet.
A joyful evening of Franco-Brazilian dance music with Royal Northern Sinfonia and Jess Gillam as part of Sage Gateshead's New Year New Music 2019 festival.
Nevill Holt Opera and Royal Northern Sinfonia offer a sumptuous production, with gorgeous singing, but one unafraid to make us confront the uncomfortable aspects of the plot.
Alexandre Bloch and Royal Northern Sinfonia throw down a challenge to any listener who thinks that Brahms is comfortable and easy with a radical reading of his Fourth Symphony.
Harry Bicket leads Royal Northern Sinfonia and Chorus and a fine line-up of soloists in a performance that moves effortlessly between the human and eternal time lines of Bach's St John Passion.
Royal Northern Sinfonia’s performance of Sir James Macmillan’s St Luke Passion had moments of high drama, but one crucial element of the piece was mostly missing.
Royal Northern Sinfonia's popular Conductor Laureate Thomas Zehetmair makes a well-received return visit to Sage Gateshead, with symphonic music ranging from an exquisite jewel by Webern through to a fizzing performance of Schubert's "Great" Ninth.
Lars Vogt, Royal Nothern Sinfonia and Chorus and a strong quartet of soloists bring the angelic tidings of peace and goodwill in Bach’s Christmas Oratorio.
Nicholas McGegan leads Royal Northern Sinfonia and Samling soloists through a dramatic and thought-provoking performance of Handel's Israel in Egypt to offer an alternative look at the Easter message of hope.
Julian Rachlin as soloist and conductor combines Beethoven's violin concerto and Third Symphony into one long story, told with great clarity by Royal Northern Sinfonia.
Italy viewed through the eyes of a Russian tourist, of visiting Europeans reading Dante and through the eyes of South American emigrées, with added tango.
The Royal Northern Sinfonia directed by Bradley Creswick and featuring the guitar soloist Craig Ogden offer an enterprising mixture of works and styles.
A strangely mixed programme, in which soprano Elizabeth Watts and Kyra Humphreys directing Royal Northern Sinfonia displayed great musicanship and a tremendous range of emotion.
A subtle and understated performance of Nielsen's Wind Quintet, followed by sophisticated and conversational Mozart from Christian Blackshaw and the Royal Northern Sinfonia Winds.
Royal Northern Sinfonia and their Music Director designate Lars Vogt brought the idyllic side of Romanticism to Sage Gateshead last night, revelling in luxurious textures and melodies that sang of happy, fulfilled love for family.
Count Keyserlingk, Ambassador to the court of Saxony, didn’t have Spotify to help him through his sleepless nights, but according to legend, he did have the funds to commission a piece from Bach...
Paul McMcreesh leads Royal Northern Sinfonia and their chorus in a Messiah that deliveres all the intoxicating excitement of Handel's operatic writing.
Laurence Cummings and Royal Northern Sinfonia round off their week of Bach concerts at Sage Gateshead with joyful orchestral music, and Bach's miniature comic opera.
Laurence Cummings and Royal Northern Sinfonia present Bach's musical world in miniature in a programme of chamber music by Bach and his contemporaries.
"Glorious Bach" offered up exactly what it said on the tin as Royal Northern Sinfonia, with their guest conductor, baroque specialist, Laurence Cummings delivered some of Bach’s happiest music in a radiant and unfussy way.
Lars Vogt came blazing into his new job as Music Director of Royal Northern Sinfonia, creating an instant impression with his luxuriously expressive Beethoven and Brahms.
Hall One of Sage Gateshead was packed for a characteristic Thomas Zehetmair programme, with Mozart, Bartók, a world première and a trademark Beethoven symphony to mark the end of his tenure as musical director of Royal Northern Sinfonia.
Bach's Musical Offering with its intricate constructions may sound on the page like a dry exercise in contrapuntal wizardry but it dazzles the listener not just with its cleverness but with its soaring lightness and beauty.
Dances of the Baroque lay at the heart the latest concert in Royal Northern Sinfonia’s “from player to podium” series, with Håkan Hardenberger whirling the orchestra through gavottes and minuets with surefooted lightness.
Thomas Zehetmair brings out all the ochestral detail of Bach's masterpiece, creating a beautifully approachable and engaging St Matthew Passion that goes straight to the heart of the story.
Conductor Andrew Gourlay and pianist Alexandra Dariescu perform Tchaikovsky, Shostakovich and Beethoven with Royal Northern Sinfonia, but the overall result is disappointing.
Composer John Casken presents two of his own pieces, and works by his friends and mentors Toru Takemitsu and Witold Lutosławski in a Royal Northern Sinfonia Late Mix concert at Sage Gateshead.
Cellist Louisa Tuck and the Royal Northern Sinfonia, with guest conductor Paul Watkins, deliver a lyrical and coherent interpretation of Britten's complex Cello Symphony.
Ryan Wigglesworth puts in a sublime performance of Mozart's Piano Concerto no. 9, and Sophie Bevan sings Berlioz's Les Nuits d'Été with Royal Northern Sinfonia.
Royal Northern Sinfonia play chamber music by Beethoven, Schoenberg, Martinů and Dvořák in a programme travelling from passionate despair to playful high spirits.
Members of Royal Northern Sinfonia and John Reid take us on an intoxicating trip round the cafés of Central Europe with chamber music by Enescu, Martinů, Bartók, Dvořák and Kodály.
Soloists from Samling Scholars and Samling Academy join Royal Northern Sinfonia and Chorus for this year's performance of Handel's Messiah at Sage Gateshead.
One of the challenges facing performers, and listeners, of Britten’s music is the availability of the superb recordings that Britten made, often with the musicians for whom the music was written; performers have to take guidance from the recordings without slavishly imitating them, and us listeners (and reviewers even more so) have to be alert to the danger of making comparisons.
Arthur Rimbaud’s prose poems Les Illuminations are strange fragments of visions that can mean anything or nothing, depending on the attitude of the reader.
