Live, Video: Find classical music concert, opera, ballet and dance reviews | Erin Wall

Mirga Gražinytė-Tyla approached the Eighth with a clear vision of the music’s structure and a plan to free the life that teems beneath its mighty vaults.

Spano marshaled the vast forces with sensitive balance in many moments. But the difficulty of achieving a proper blend amidst the thick timbral texture prevented the performance from reaching transcendence.

The EIF’s cycle comes to a fabulous end with RSNO and Andrew Davis leading a luxury cast, Christine Goerke’s emotionally powerful Brünnhilde a highlight. 

Britten's profoundly pacifist work is given a calm reading by Peter Oundjian and the RSNO: soprano Erin Wall, the RSNO Junior Chorus and the wind players provide the high spots of the evening.

Donald Runnicles conducts the World Orchestra for Peace and BBC Proms Youth Choir at The Proms

A line-up of well-matched vocal soloists and a chorus in top form, along with passionate conducting by Franz Welser-Möst made for a memorable closing concert of this important milestone season.

Stuart Skelton’s visceral Peter Grimes is matched by a strong cast with thrilling playing and singing from the Bergen Philharmonic Orchestra under Edward Gardner.

An underwhelming performance that fell prey to poor interpretive judgements. 

Dangling and turning like shards of a giant overhead chandelier in Don Giovanni’s banquet hall, this is an evocative multimedia production that tantalizes the senses while shining new light on Mozart's genius. 

Samuel Barber's Vanessa, with a libretto by Gian Carlo Menotti, is rarely staged, but Santa Fe makes a tremendous case for the opera. 

In the final weekend of season, Muti led the CSO in a divinely inspired Bruckner Ninth, fittingly paired with the Te Deum.

A very warm concert hall and problems with musical balances worked against what was otherwise a genial reading of this contemplative work.

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

Bernard Haitink and the LSO in fine form for an all-Beethoven programme, but the 'Glorious Ninth' fails to impress.

A revival of Chris Alexander's comedy-slanted take on Don Giovanni tames Mozart's subversive opera in Seattle's season opener.

A brave choice for a Proms season opener, but Elgar's ponderous score is presented in the best possible light by the BBC forces.

Any performance of Mahler's Eighth Symphony is a special event. This one was a thrilling end to the Royal Scottish National Orchestra's season.

Andris Nelsons plays conjuring tricks, conducting Strauss and Stravinsky with Erin Wall and the CBSO at Sage Gateshead.

It’s so good to hear Tippett’s ravishing opera, The Midsummer Marriage, performed in full at the Proms, particularly in Britten’s centenary year. Tippet’s work is like an antidote to Britten’s drier, more literal operatic style – so overflowing with warmth, colour and hope.

The consequence of any war is destruction, and though ancient buildings continue to crumble under the terrific blast of modern warfare, the spirit of a people undefeated invariably gives way to creation with renewed fervour.

Tonight’s was an historic performance, so first, a few dates. On 14th November 1940, Luftwaffe bombing raids destroyed much of the medieval centre of Coventry, including most of its cathedral. On 30th May 1962, Benjamin Britten’s specially-commissioned War Requiem was premièred by the City of Birmingham Symphony Orchestra in Sir Basil Spence’s newly consecrated cathedral.

Leid und Trost bestimmen Dvořáks Werk; Mariss Jansons, der Chor und das Symphonieorchester des Bayerischen Rundfunk gestalteten es dramatisch und kontrastreich.

Was haben eine betrogene Backpackerin, ein nackter Alter, ein prolliger Frauenheld und ein düsterer Containerbahnhof mit Mozarts Oper Don Giovanni gemeinsam? Nicht viel. Stefan Kimmigs Inszenierung an der Bayerischen Staatsoper ist sehr modern und hinterlässt den Zuschauer ratlos – im Gegensatz zum hervorragenden Ensemble.