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Rodula Gaitanou sets Richard Strauss and Hugo von Hofmannsthal's comedy in the Cinecittà film studios of the 1950s. 

Nicola Raab puts Byron at the heart of Il corsaro in her new production for the Palau de les Arts, but doesn’t always know what to do with him.

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

The away leg of Rossini's “Italian girl - Turkish guy” fixture makes for a thoroughly enjoyable evening at Garsington, without ever quite bursting into flame.

Gothenburg Opera's revival under the baton of Leo Hussain shone with a harmonious cast in a timeless staging.

Matti Salminen and conductor Leif Segerstam come together, probably for the last time, to give us an excellent evening's opera which touched the heart of Boris Godunov – a Finnish swan song as potent as anything penned by Sibelius.

Everything is right in this Gothenburg production of Mozart's Figaro that exceeds all expectation and offers high-level entertainment up until the very last chord.

Rarement représentée, l'œuvre bénéficie de la mise en scène sobre et éloquente de Nicola Raab, de la direction énergique de Giuliano Carella et d'une distribution cohérente.