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Choreography isn't the only thing lacking in Alexander Zemlinsky's comic gem Kleider machen Leute.

Herheim’s maiden voyage in his new capacity as Intendant confirms his ability to deftly negotiate a less-than-straightforward work with care and ambition and add his own voice enthusiastically to the mix.

Komische Oper Berlin presents Leoš Janáček's masterpiece as a tight-knit psychodrama in a new production conducted by Giedrė Šlekytė.

Enea Scala and Rihab Chaieb impress in a concert performance of Massenet's Werther in Ghent. 

A charming programme featuring Renaud Capuçon and Gérard Caussé in the Sinfonia Concertante in E flat major, one of Mozart’s most sublime, sun-drenched works. 

Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works. 

The Lithuanian National Symphony Orchestra present two works at the Berwaldhallen that both look to the past and future.

Poulencs bekannteste Oper wird zum ersten Mal an der Oper Frankfurt aufgeführt.