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Stripped of its original superstar casting, Gounod’s grand opera provides entertainment but fails to cohere. 

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale. 

With the help of excellent singing and acting performances from a cast led by Asmik Grigorian and Joshua Guerrero, Puccini’s tale of abandonment hits home.

Ann Yee and Natalie Abrahami give Rusalka an ecological reading, but it's the musical side of things that really takes flight in The Royal Opera's new production.

The young singers spin any raw material into opera gold, sending the audience home as uplifted as if they’d just glugged a bellyful of Pimm’s.

Barrie Kosky's divisive production returns to The Royal Opera but has lost its zing. 

A post-mortem fantasy that’s as compelling as it is confusing.

On her house debut, in Covent Garden's second cast of the year, Angel Blue is completely convincing as Verdi's doomed courtesan; Benjamin Bernheim is an unconventional but compelling Alfredo; Simone Piazzola a persuasive Germont père.

L'opéra fait son entrée au répertoire de l’Opéra Orchestre national Montpellier Occitanie, dans une belle mise en scène et avec une distribution qui relève haut la main les nombreux défis mozartiens.