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Benjamin Britten's Peter Grimes is a nuanced, gripping tale that should pack an emotional punch. Despite fine moments, Oper Köln's production didn't serve the work. 

In a temporary home, Cologne Opera have mounted a remarkably joyful production of Beethoven’s single, wonderful opera.

Sonya Yoncheva shines in a production which proves that the story of Verdi's opera still feels current today.

George Frideric Handel’s “Messiah” is pretty much everybody’s favourite Easter oratorio, and it proved no less so for the Zurich audience on Good Friday at the Tonhalle.

Seeing Zürich Opera’s new production of Monteverdi’s Il ritorno d'Ulisse in Patria made me wonder why this is the least performed of Monteverdi's three surviving operas.