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The early Handel opera Agrippina is given a rare and playful outing at the Royal Conservatoire of Scotland with clear Italian singing, joyous Baroque playing and lively stage production.

Two Russian Tales: Stravinsky’s Mavra and Walton’s The Bear are an unexpected glittering delight at The Royal Conservatoire of Scotland’s Opera Studio in Glasgow. 

Elīna Garanča gibt als Santuzza ein beeindruckend gefühlvolles Wiener Rollendebüt.