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Which choreographer's adaptation of A Midsummer’s Night Dream is superior, Ashton or Balanchine? This season, New Yorkers get to compare as ABT revives Ashton's The Dream as part of its Fall season. 

A mixed evening at the Koch Theater, with ABT shining in Ratmansky and a new Twyla Tharp creation, but struggling in Balanchine. 

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

Long Yu certainly didn’t rest on his laurels as he powered through Tchaikovsky’s Fifth Symphony, while Jian Wang introduced subtlety and deftness in the Rococo Variations.

Glazunov's The Seasons is a beautifully wrought and iridescent score, a jewel, a decorative Fabergé-like work of art, stuffed with melodic bonbons. 

Volkov conducts BBC SSO in a Russian retelling, with acclaimed bass, Yuri Vorobiev. 

Un marathon russe sur deux soirées au Victoria Hall aura permis d’entendre un bel éventail de musiques slaves. L’orchestre national russe, sous la direction de Mikhail Pletnev, ressort auréolé d’un beau succès.