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Show-stealing bass singing from Krisztián Cser and an immensely powerful Act 2 make a persuasive case for Verdi's neglected predecessor to Rigoletto.

Without recourse to virtual reality or hallucinogens, Vick has created a suggestive, vividly surreal world where one's reference points are lost to the wind.

L'opéra méconnu de Verdi bénéficie d'une belle direction musicale, d'une mise en scène parfaitement lisible et d'une distribution convaincante.