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L'opéra méconnu de Verdi bénéficie d'une belle direction musicale, d'une mise en scène parfaitement lisible et d'une distribution convaincante.

Show-stealing bass singing from Krisztián Cser and an immensely powerful Act 2 make a persuasive case for Verdi's neglected predecessor to Rigoletto.

Without recourse to virtual reality or hallucinogens, Vick has created a suggestive, vividly surreal world where one's reference points are lost to the wind.