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A rich mix of pure dance and powerful music shows the company in very fine form towards the end of a demanding season.

Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.

Opposites Attract was the title chosen to tie three pieces together in Birmingham Royal Ballet’s first triple bill at Sadler’s Wells this week, but that was optimistic: these three were so different in both style and quality that it was hard to find any affinity between them, or any sense of the company as a whole.

If the number of bare male chests exposed on the stage at Sadler’s Wells this week is meant to suggest a symbolic baring of the male psyche then the Dutch National Ballet (DNB) underwent a good deal of soul searching in their celebration of Hans Van Manen’s work. Their resident choreographer has created 120 ballets in his sixty year career and in this programme DNB performs five.

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza. 

Eine Uraufführung von Mauro Bigonzetti und zwei Klassiker von Hans van Manen als würdige Beethoven-Hommage in Stuttgart.