Live, Video: Find classical music concert, opera, ballet and dance reviews | Et exspecto resurrectionem mortuorum, for orchestra

Sir Simon Rattle conducts 80+ members of the LSO in the monumental Grande symphonie funèbre et triomphale in a site-specific performance inside – and outside – St Paul’s Cathedral.

All life is a preparation for death, as revealed in Messiaen's Et exspecto and Bruckner's Ninth Symphony. Zubin Mehta and the Berlin Philharmonic administer the exequies.

The London Philharmonic strikes a somber note as Edward Gardner explores themes of resurrection and transfiguration in the Royal Festival Hall. 

A programme of new music and 20th-century classics reflects on loss, war, inhumanity and redemption. 

Two fine concerts from Riccardo Chailly’s Leipzig Gewandhaus Orchestra filled part of the space between end-of-season Proms from the Berlin and Vienna Philharmonics. They brought Mendelssohn of refinement and poise to Prom 67 and dark, fateful thrust in Messiaen and Mahler for Prom 69.

This evening’s programme of Messiaen and Bruckner ought to have come with a health warning beforehand – caution: not for the fainthearted. Following on from Strauss’ Death and Transfiguration last month, the LSO’s programming seems to be continuing in a similar vein, with this concert united by the theme of death and religious conviction.

Three enormous ear-splitting tam-tams were employed in Messiaen’s Et Exspecto Resurrectionem Mortuorem, the largest being truly gigantic, maybe 10ft (3m.) in diameter. When we reassembled after the interval to hear the LSO perform Bruckner’s 9th symphony, this massive tam-tam was still centre-stage, at the back lowering over the orchestra.

Daniel Harding dirigiert ein klanggewaltiges Programm mit Strawinsky und Messiaen.

Zwischen Purcell und einer Uraufführung von Adámek: zwei Konzerte mit opulenter Programmfolge an einem Abend.