Find classical music concert, opera, ballet and dance reviews | Piano Concerto in G minor, Op.33

The London Philharmonic Orchestra, conducted by Karina Canellakis and with Pierre-Laurent Aimard as soloist, offer a scenic tour to territories once visualised by Sibelius, Dvořák and Bartók.

The Hallé and Sir Mark Elder start their Dvořák festival with a concert demonstrating the glories of his lesser known music including Francesco Piemontesi starring in the Piano Concerto.

Stephen Hough made light of the technical challenges of Dvořák's Piano Concerto; Carl Nielsen’s “Inextinguishable” symphony was an electrifying second half.

The London Philharmonic’s Shakespeare400 series continues with a potted Tempest, preceded by a piano concerto notable for its pastoral heart

Stephen Hough made the case for re-appraising Dvořák’s Cinderella Piano Concerto with some fine accompaniment from the CBSO and Andris Nelsons.

In a concert of two halves, the Philharmonia fail to convince with Suk and Dvořák but provide a thrilling rendition of Janáček's Glagolitic Mass, a choral work that is dramatic, operatic, giant in scale and unique in style.

The Bristol Classical Players and conductor Tom Gauterin normally focus their concerts around a series of works from a particular era or composer, but this time they did something a little different. We heard the rarely performed Piano Concerto in G minor by Dvořák, sandwiched between Beethoven’s Fidelio overture and his Fifth Symphony.

Daniel Harding, Pierre-Laurent Aimard und das Concertgebouw-Orchester brillieren mit Dvořáks Klavierkonzert und Bartóks Herzog Blaubarts Burg.

El resultado fue una apasionante y didáctica velada, en cuya primera parte Inbal y un extraordinario Piemontesi, deslumbraron con una interpretación del concierto de Dvořák electrizante.

Der Residenzkomponist und -dirigent der Elbphilharmonie gastierte mit Werken von Dvořák, Mendelssohn und einer eigenen Komposition im neuen Konzertsaal an der Elbe.