En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto pour piano en sol mineur, Op. 33

Semyon Bychkov and the Czech Philharmonic bring their Year of Czech Music to a triumphant conclusion in Toronto’s Koerner Hall, where Daniil Trifonov raises the roof with Dvořák’s neglected Piano Concerto. 

The orchestra doesn't miss a beat in opening the season with a substitute conductor Charles Dutoit and a dashing new artist-in-residence in Daniil Trifonov. 

Jakub Hrůša and his Czech forces give an impressive account of a mass which with its ecclesiastical elements, yet pantheistic spirit and visceral energy points towards a more secular age.

What better way is there to celebrate Czech music than with an all-Dvořák programme brought by the Czech Philharmonic under their chief conductor Semyon Bychkov?

The composer's music is losing some of its national flavor as Semyon Bychkov and the Czech Philharmonic prepare to take it abroad.

Daniel Harding, Pierre-Laurent Aimard und das Concertgebouw-Orchester brillieren mit Dvořáks Klavierkonzert und Bartóks Herzog Blaubarts Burg.

The London Philharmonic Orchestra, conducted by Karina Canellakis and with Pierre-Laurent Aimard as soloist, offer a scenic tour to territories once visualised by Sibelius, Dvořák and Bartók.

El resultado fue una apasionante y didáctica velada, en cuya primera parte Inbal y un extraordinario Piemontesi, deslumbraron con una interpretación del concierto de Dvořák electrizante.

Der Residenzkomponist und -dirigent der Elbphilharmonie gastierte mit Werken von Dvořák, Mendelssohn und einer eigenen Komposition im neuen Konzertsaal an der Elbe.

The Hallé and Sir Mark Elder start their Dvořák festival with a concert demonstrating the glories of his lesser known music including Francesco Piemontesi starring in the Piano Concerto.

Stephen Hough made light of the technical challenges of Dvořák's Piano Concerto; Carl Nielsen’s “Inextinguishable” symphony was an electrifying second half.

The London Philharmonic’s Shakespeare400 series continues with a potted Tempest, preceded by a piano concerto notable for its pastoral heart

Stephen Hough made the case for re-appraising Dvořák’s Cinderella Piano Concerto with some fine accompaniment from the CBSO and Andris Nelsons.

In a concert of two halves, the Philharmonia fail to convince with Suk and Dvořák but provide a thrilling rendition of Janáček's Glagolitic Mass, a choral work that is dramatic, operatic, giant in scale and unique in style.

The Bristol Classical Players and conductor Tom Gauterin normally focus their concerts around a series of works from a particular era or composer, but this time they did something a little different. We heard the rarely performed Piano Concerto in G minor by Dvořák, sandwiched between Beethoven’s Fidelio overture and his Fifth Symphony.