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The Orchestra of the Age of Enlightenment and soprano Julia Bullock invite us to listen to familiar pieces with fresh ears in invigorating performances at New York's 92NY.

Jordi Savall explores the music of Maurice Ravel within the context of the French Baroque and beyond. 

Music from the court of Louis XIV – Lully, Jacquet de la Guerre, Rebel and others – is superbly played. But the attempt to put it in the context of the dances of the day is perhaps over-ambitious.

Anders Dahlin's haute-contre shines in in a concert led by Mariangiola Martello in the Grünewaldsalen.

Jordi Savall's returns to 1991 film soundtrack and captivates a full house at St John's Smith Square.

Question: how do you demonstrate to a sceptical audience that baroque opera seria doesn’t have to be boring? To answer this, the organisers of Sommets Musicaux and David Greilsammer, conductor of the Geneva Chamber Orchestra came up with a programme consisting of four Handel arias interspersed with orchestral passages from French baroque opera, these chosen for their variety and dance-based charac

Dans la lignée de son album Versailles, le pianiste est venu donner un très beau programme de musique française ancienne sur son habituel Steinway. 

Acompañado de Rolf Lislevand -tiorba y guitarra-, Michael Behringer -clave y órgano- y Philippe Pierlot -viola da gamba baja de 7 cuerdas-, Jordi Savall ha rendido homenaje a una película que, en 1991, sirvió para mucho como pasarela de acceso a las figuras y la música de Monsieur de Sainte-Colombe, Marin Marais o el propio Savall.