Marking his debut with the NDR Elbphilharmonieorchester, Andrew Manze nails his colours to the mast with Purcell and Vaughan Williams as well as accompanying Alban Gerhardt in Walton.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-17UTC15:18:24+00:002017-11-17Marking his debut with the NDR Elbphilharmonieorchester, Andrew Manze nails his colours to the mast with Purcell and Vaughan Williams as well as accompanying Alban Gerhardt in Walton.Spanning the centuries with Andrew Manze at the Elbphilharmonieen_GBtruehttps://bachtrack.com/review-walton-vaughan-williams-manze-gerhardt-elbphilharmonie-hamburg-november-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAlexander Hallhttps://bachtrack.com/22/270/list-published/11347https://bachtrack.com/22/270/list-published/11347https://bachtrack.com/files/202-alexander_hall.jpgAlexander Hall divides his time between London and Hamburg, having spent a lifetime writing in some form or other: fiction, academic research, educational materials and professional translations. He has been an avid concert-goer from his teenage years with fond memories of many of the giants of the past, including Klemperer, Karajan, Böhm, Bernstein and Carlos Kleiber. For him the symphony orchestra is one of the greatest artistic creations of all time.https://bachtrack.com/files/71328-andrew-manze-benjamin-ealovega2-resized.jpg510340Andrew ManzeBenjamin Ealovega2017-Nov-16, Elbphilharmonie: Großer Saal: Purcell, Walton, Vaughan Williamshttps://bachtrack.com/concert-listing/elbphilharmonie-grosser-saal/purcell-walton-vaughan-williams/16-november-2017/20-002017-11-162017-11-16Elbphilharmonie: Großer SaalHamburgHamburgGermany20457Platz der Deutschen Einheit 153.541303813440929.9843278154696693
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-01-30UTC14:18:19+00:002017-01-30Clearly Mirga Gražinytė-Tyla has found her feet with the City of Birmingham Symphony Orchestra and isn't afraid to be a bit experimental.Challenging conventions: Mirga Gražinytė-Tyla's adventures in Beethoven and Mozarten_GBtruehttps://bachtrack.com/review-mirga-grazinyte-tyla-francesco-piemontesi-cbso-birmingham-january-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngKatherine Dixsonhttps://bachtrack.com/files/52152-mirga-grazinyte-tyla-frans-jansen-resized.jpg510340Mirga Gražinytė-TylaFrans Jansen2017-Jan-29, Birmingham Symphony Hall: Beethoven’s Fifthhttps://bachtrack.com/concert-listing/birmingham-symphony-hall/beethovens-fifth/29-january-2017/15-002017-01-292017-02-02Birmingham Symphony HallBirminghamWest MidlandsUnited KingdomB1Broad Street52.479179918226-1.9092607498169https://cbso.co.uk/event/beethovens-fifth?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/35814-cbso.png4
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-09-25UTC15:36:56+00:002015-09-25Broad tempi and a measured steer from Bernard Haitink led to a concert somewhat lacking in vigour and energy.LSO and Haitink uneven in Purcell, Beethoven and Brahmsen_GBtruehttps://bachtrack.com/review-haitink-cooper-london-symphony-september-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJack Johnsonhttps://bachtrack.com/files/28612-imogen_cooper_sussie_ahlburg_resized.jpg300430Imogen CooperSussie Ahlburg2015-Sep-23, Barbican Hall: Purcell, Beethoven, Brahmshttps://bachtrack.com/concert-listing/barbican-hall/purcell-beethoven-brahms/23-september-2015/19-302015-09-232015-09-23Barbican HallLondonGreater LondonUnited KingdomEC2Y 8DSSilk Street51.519879294526-0.091710090637207http://lso.co.uk/whats-on/icalrepeat.detail/2015/09/23/284/-/brahms-symphony-no-1?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/66894-lso2017logo.jpg3
The brass, winds and percussion of the LSO opened the concert with a powerful, dramatic rendition of Purcell’s Music for the funeral of Queen Mary, arranged to sharpen the effect for modern ears by Steven Stucky.
Geschmacklich und interpretatorisch offen gebliebene Fragen verhindern eine königliche Hommage von Le Concert Spirituel mit Oden von Purcell und Händel.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-11-14UTC11:20:07+00:002016-11-13Geschmacklich und interpretatorisch offen gebliebene Fragen verhindern eine königliche Hommage von Le Concert Spirituel mit Oden von Purcell und Händel.Hommage britannique in Herne: Musen auf dem Königsthronde_DEtruehttps://bachtrack.com/kritik-tage-alter-musik-herne-concert-spirituel-herve-niquet-purcell-haendel-november-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJens Klierhttps://bachtrack.com/22/270/list-published/17890https://bachtrack.com/22/270/list-published/17890https://bachtrack.com/files/294-20141224_171500.jpgJens Klier studierte Rechtswissenschaften in Bayreuth und setzt das Studium zur Zeit an der Universität Bonn fort. Seit seiner frühesten Kindheit spielte er Violine (Repertoire vom 17.bis zum 20. Jahrhundert) und wurde mit Gesang sowie dem Leben im Orchesterbetrieb groß. Dabei entwickelte sich ein besonderes Interesse an der historischen Aufführungspraxis.https://bachtrack.com/files/48817-tage-alter-musik-musen-auf-dem-konigsthron-concert-spirituel-c-thomas-kost.jpg510340Le Concert SpirituelThomas Kost | WDR | Tage Alter Musik in Herne2016-Nov-12, Kulturzentrum: Musen auf dem Königsthronhttps://bachtrack.com/concert-listing/kulturzentrum/musen-auf-dem-konigsthron/12-november-2016/20-002016-11-122016-11-12KulturzentrumHerneNorth Rhine-WestphaliaGermany44623Willi-Pohlmann-Platz 151.5355458737766557.22297899425029753
Est-ce pour rendre justice à sa formation au Royal College of Music de Londres, que la jeune suédoise a privilégié pour ce programme reposant tout particulièrement entre ses mains une trop rare thématique britannique ? Ce choix d’œuvres, reconnues de toutes parts mais pas toujours jouées en France, témoigne en tout cas d’un goût certain.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-03-29UTC13:02:30+00:002016-03-28Est-ce pour rendre justice à sa formation au Royal College of Music de Londres, que la jeune suédoise a privilégié pour ce programme reposant tout particulièrement entre ses mains une trop rare thématique britannique ? Ce choix d’œuvres, reconnues de toutes parts mais pas toujours jouées en France, témoigne en tout cas d’un goût certain.Holy Ghost : Sofi Jeannin exalte la spiritualité à l’anglaise à Radio Francefr_FRtruehttps://bachtrack.com/critique-sofi-jeannin-orchestre-philharmonique-choeur-radio-france-auditorium-paris-mars-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSuzanne Lay-Canessahttps://bachtrack.com/22/270/list-published/19283https://bachtrack.com/22/270/list-published/19283https://bachtrack.com/files/68771-photo-le-04-10-2017-a-16-21.jpgDoctorante en littérature comparée, passionnée de langues, de civilisations allemande et britannique, Suzanne étudie également la musique au conservatoire depuis son plus jeune âge, où elle pratique le piano, l’orgue, l’écriture et le chant choral, et développe un goût prononcé pour l’œuvre de Bach, à qui elle dédie aujourd’hui sa thèse.https://bachtrack.com/files/37080-sofijeannin_c_c_abramowitz_radio_france_resized.jpg510287Sofi JeanninC. Abramowitz - Radio France2016-Mar-25, Maison de la radio:Auditorium: Purcell, Haydnhttps://bachtrack.com/concert-listing/maison-de-la-radioauditorium/purcell-haydn/25-march-2016/20-002016-03-252016-03-25Maison de la radio:AuditoriumParisÎle-de-FranceFrance75016116 Avenue du Président Kennedy48.85215092.2797963000000436http://maisondelaradio.fr/evenement/concerts-du-soir/purcell-haydn?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/60785-web-saison1718.jpg4
