Master of contrasts: Lang Lang excels in Saint-Saëns in Seattle

Lang Lang, Peter Oundjian and the Seattle Symphony

Peter Oundjian conducts the Seattle Symphony

Par Erica Miner, 30 septembre 2023

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“Lang Lang’s ability to transcend technical challenges makes his playing go beyond the notes”

Critique faite à Benaroya Hall, S Mark Taper Auditorium, Seattle, le 29 septembre 2023

Adams, Short Ride in a Fast Machine

Saint-Saëns, Concerto pour piano no. 2 en sol mineur, Op. 22

Respighi, Les Pins de Rome (I pini di Roma), P141

Peter Oundjian, Direction

Lang Lang, Piano

Seattle Symphony

Nicholas McGegan brings delicacy and elegance to Mendelssohn

Erica Miner, 18th April

The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.

****1

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

Ioffe conducts the Seattle Symphony in varied faces of Romanticism

Thomas May, 8th January

Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

Ivars Taurins leads the Seattle Symphony in Baroque feast

Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

Thomas May, 19th June

Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

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Erica Miner

As a Metropolitan Opera violinist Erica performed with James Levine, Leonard Bernstein and countless opera luminaries. Now an award-winning author, screenwriter, arts journalist and lecturer, Erica’s opera presentations include Wagner Societies in California, New York, Boston, North Carolina and Sydney, Australia. Her recently released novel Aria for Murder, the first in her ‘Operatic Mystery’ series, authentically reflects her experiences in the Met Orchestra. Sequels are due in 2023 and 2024. Erica’s personal website is here.