Duisburg’s Don Carlos rescued from a devastating deluge

Par Brian Angus, 18 mai 2019

Chargement en cours, veuillez patienter...

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Critique faite à Mercatorhalle, Duisburg, le 17 mai 2019

Verdi, Don Carlo(s) (Concert performance)

Deutsche Oper am Rhein

Nicholas Carter, Direction

Guy Joosten, Mise en scène

Alfons Flores, Décors

Eva Krämer, Costumes

Bogdan Taloș, Filippo II, Philippe II

Eduardo Aladrén, Don Carlo

Bogdan Baciu, Rodrigo, Marchese di Posa

Hans-Peter König, Il Grande Inquisitore

Olesya Golovneva, Elisabetta di Valois

Sarah Ferede, La Principessa Eboli

Maria Carla Pino Cury, Tebaldo

Chor der Deutschen Oper am Rhein

Extrachor der Deutschen Oper am Rhein

Duisburger Philharmoniker

Scheitern statt Scheiterhaufen: Die Jungfrau von Orléans in Düsseldorf

Svenja Koch, 9th September

Elisabeth Stöppler inszeniert Tschaikowsky-Rarität als Charakterstudie statt Kriegstableau.

****1

Reality wants augmenting in Daniel Kramer's Die tote Stadt

Eleanor Knight, 16th April

What's a director to do while we wait for technology to catch up with the complexities of the human condition?

***11

Boris Blachers ausdrucksstarker Romeo und Julia in Duisburg

Michael Vieth, 17th April

Unter fast 40 Romeo-Vertonungen die wohl kürzeste: aus Blachers Komprimierung von Shakespeares Tragödienstoff zieht die Duisburger Neuinszenierung intensive Überzeugungskraft.

****1

Kunst als Widerstand: Der Kaiser von Atlantis in Düsseldorf

Alexandra Richter, 19th September

Die Deutsche Oper am Rhein inszeniert ein wichtiges Werk des in der NS-Zeit verfolgten Künstlers Viktor Ullmann.

****1

All the world's a stage: Xerxes as a comedy of backstage rivalry

Matthew Rye, 17th January

A revival of Stefan Herheim's production of Handel's Xerxes in Düsseldorf makes for a rip-roaring evening of theatrical comedy.

****1

Stars and the score shine in The Count of Luxembourg

Ilana Walder-Biesanz, 25th December

Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.

***11

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Brian Angus

Brian is a lover of opera, and has enjoyed attending operas for over forty years. Brian has very catholic tastes; favourite classic composers are Richard Wagner and Giuseppe Verdi, contemporary composers John Adams and Jake Heggie, and a curiosity about Stockhausen’s music. He is always seeking opportunities to expand his appreciation of the world of music and opera.