| samedi 10 avril 2027 | 11:00 |
| samedi 17 avril 2027 | 11:00 |
| dimanche 25 avril 2027 | 11:00 |
| Rossini, Gioachino (1792-1868) | Il barbiere di Siviglia (Le Barbier de Séville) | Livret de Cesare Sterbini |
| Opéra d'État hongrois | ||
| Sámuel Csaba Tóth | Direction | |
| Csaba Káel | Mise en scène | |
| Éva Szendrényi | Décors | |
| Anikó Németh | Costumes | |
| Orchestre de l'Opéra d'État hongrois | ||
| Chœurs de l'Opéra d'État hongrois | ||
| Istvan Horvath | Ténor | Le comte Almaviva |
| András Kiss | Baryton | Bartolo |
| Laura Topolánszky | Soprano | Rosina |
| Zsolt Haja | Baryton | Figaro |
| László Szvétek | Basse | Basilio |
| Mária Farkasréti | Soprano | Berta |
| Gergely Halász | Baryton | un officier |
It is safe to say that one of the most beloved and most performed works in the comic opera genre is Gioachino Rossini's Il barbiere di Siviglia. Thus, it cannot be missing from the OPERA repertoire. In the revival of his previous staging, which was originally performed in Szombathely in the summer of 2016 and then at Müpa Budapest, Csaba Káel director, who has already entertained audiences of the OPERA with numerous other productions, places this work in the silent film era, magnifying the humorous situations in a lighter and endlessly witty musical setting. The production also seeks to dust off the centuries-old traditions of performance and to present the opera in its original freshness.

