Artiste: Csaba Káel

The Hungarian State Opera's first New York tour featured an opera of forbidden love set in the Biblical Times by Karl Goldmark, and was a rare treat for the New York audience.

In a sensational Hungarian double bill of taut psychological drama at Müpa, Péter Eötvös' Senza sangue proves a thrilling partner to Bartok’s Bluebeard’s Castle.

The score of Goldmark's opera is filled with lovely orchestral surprises, in addition to stunning arias, but is often filled with an abundance of slow tempos.

In this second part of our interview, Káel discusses opera and film direction and his plans for the Hungarian film industry.

We speak to the CEO of Budapest's premier arts centre: a film and opera director whose past includes spells as a painter and structural engineer.