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Compositeur: Feldman, Morton (1926-1987)

Rechercher des événements de musique classique, opéra et ballet | Feldman
Fichier de données
Année de naissance1926
Année du décès1987
NationalitéInconnu
Époque20ème siècle
janvier 2020
lun.mar.mer.jeu.ven.sam.dim.
30310102030405
06070809101112
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03040506070809
Soirée
Matinée
Spectacles à venirEn voir plus...

TokyoShostakovich, Adams, Feldman, Gubaidulina

Shostakovich, Adams, Feldman, Gubaidulina
Chostakovitch, Adams, Feldman, Gubaidulina
Yomiuri Nippon Symphony Orchestra; Tatsuya Shimono; Kohei Ueno

AmsterdamOn the Night Plain

On the Night Plain
Pärt, Reich, Dusapin, Silvestrov, Górecki, Feldman, Volans, Riley
Arditti String Quartet; Calder Quartet; Signum Quartet; Alex Ross

LondresBeethoven 250: Cédric Tiberghien

Beethoven, Feldman, Cage, Crumb
Cédric Tiberghien, Piano

SalzburgKlangforum Wien · Cambreling

Feldman
Sylvain Cambreling; Klangforum Wien

SalzburgCantando Admont · Klangforum Wien · Cambreling

Feldman
Cordula Bürgi; Cantando Admont; Klangforum Wien; Sylvain Cambreling
Critiques récentesEn voir plus...

Adventurous outings in Prague at Contempuls festival

Trio Catch © Karel Šuster
The Contempuls festival celebrated its tenth birthday with a bold mix of international flavors, Czech premieres and energizing experimental sounds.

NYCB does Cunningham ... and Balanchine

New York City Ballet in Merce Cunningham’s Summerspace © Erin Baiano
Judging by the enthusiastic audience reactions to this program one might have to rethink the modern/ballet divide. Maybe there’s only two types of dance – good dance and bad dance. 

Die Kunst der Künstlichkeit: Currentzis in der Elbphilharmonie

Teodor Currentzis © Daniel Dittus
Currentzis Überpräzisierung lässt beim Brahms-Requiem die Leidenschaft vermissen.

Merce Cunningham's centennial kicks off at The Joyce

Joshua Whitehead of Ballet West in Merce Cunningham's Summerspace © Beau Pearson
Despite the uneven performances, the evening offered a painful reminder: the future of Cunningham's opus is fragile and delicate. With his own company disbanded, his future is in the hands of dancers who are not trained in his technique and did not have the good fortune of working directly with the great choreographer.

Du Yun NY premiere at Carnegie Hall

Where We Lost Our Shadows: American Composers Orchestra © Jennifer Taylor

The immigrant experience was examined in the New York premiere of Du Yun’s impressive and expansive Where We Lost Our Shadows. Sadly, the rest of the program wasn’t entirely on message.