Prom 6: Weber / Brahms / Stravinsky

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Royal Albert HallKensington Gore, Londres, Greater London, SW7 2AP, Royaume-uni

Dates/horaires selon le fuseau horaire de London

Programme

Weber, Carl Maria von (1786-1826)	Oberon: ouverture
Brahms, Johannes (1833-1897)	Double Concerto en la mineur pour violon, violoncelle et orchestre, Op.102
Stravinsky, Igor (1882-1971)	Le Sacre du printemps

Artistes

Renaud Capuçon	Violon
Gautier Capuçon	Violoncelle
Orchestre Philharmonique de Radio France
Myung-whun Chung	Direction

In the first half of his second Prom Myung-Whun Chung pairs works by German Romantics from opposite ends of the 19th century, including the meltingly beautiful Brahms Double Concerto with Renaud and Gautier Capuçon.

After the interval comes a piece with French connections which swept away that old order. A sensational succès de scandale in 1913 for Diaghilev and his Ballets Russes, The Rite of Spring not only prompted the most famous riot in musical history but sounds sensational still, rediscovering rhythm as music’s primal driving force.

Plan

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Performing Rites: how Stravinsky’s Sacre du printemps still shocks

Mark Pullinger, 29th March

Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.

Prom 6. Orchestre Philharmonique de Radio France/ Capuçon/ Capuçon/ Chung

Sebastian Scotney, 19th July

Who has the power, the authority to fix the moment when a major public event can start? In broadcast events, such as the Proms, where all of the concerts are broadcast on Radio 3 and many are televised, the bigger, virtual audience puts the media in the driving seat. The radio or TV producer holds sway - up to the moment when the conductor steps out into the hall.