Giselle ou les Wilis : quand la sororité fait front à Garnier

Dorothée Gilbert (Giselle) et Hugo Marchand (Albrecht)

Valentine Colasante (Myrtha)

Par Jade Larine, 26 juin 2022

Chargement en cours, veuillez patienter...

Voir le listing complet

“Dorothée Gilbert devient une icône romantique, adoptant les poses typiques des lithographies d’antan”

Critique faite à Opéra national de Paris: Palais Garnier, Paris, le 25 juin 2022

Giselle (Jean Coralli, Jules Perrot)

Ballet de l'Opéra de Paris

Benjamin Schwartz, Direction

Alexandre Benois, Décors, Costumes

Orchestre de l'Opéra national de Paris

Hugo Marchand, Danse

Dorothée Gilbert, Danse

Valentine Colasante, Danse

La magie universelle de Giselle au Palais Garnier

Jade Larine, 6th October

La représentation du lundi 6 octobre, dédiée à Patrice Bart décédé quelques heures plus tôt, restera dans les mémoires des spectateurs présents ce soir-là, Sae Eun Park remportant un triomphe dans le rôle-titre.

****1

Giselle

Laurine Mortha, 4th June

Giselle, emblème du répertoire romantique du Ballet de l’Opéra de Paris, brille de nouveau à l’Opéra Garnier, magnifiquement interprété par les étoiles Dorothée Gilbert et Mathieu Ganio et un corps de ballet d’une grande sensibilité.

****1

A new Albrecht makes a polished Giselle shine even brighter

Deborah Weiss, 7th March

A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.

****1

A Valentine’s Day Giselle in Atlanta: Romantic excellence

Rebecca Ehrhardt, 14th February

A lovely production of Giselle by the increasingly good and ever-growing Atlanta Ballet.

****1

The RB: Peter Wright’s Giselle is as near perfection as you can get

Amanda Jennings, 14th February

Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.

*****

National Ballet of Japan’s Giselle: a triumphant London debut

Graham Watts, 24th July

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

*****

Plus de critiques...

Jade Larine

Jade graduated in political sciences then studied Russian civilisation. Conservatoire-trained in classical music in her early years, she also took ballet classes and still stands at the barre in Paris. A devout balletomane, she writes for French ballet medias and carries out researches on Russian ballet and politics. Her interests range from 19th-century Russian ballet to sovietic choregraphy, as well as neoclassical narrative ballets. She particularly enjoys watching ballets at the Bolshoi.