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Frank Hammarin, horn player with the Royal Stockholm Philharmonic, talks about experiencing of Bruckner’s orchestral epic from within, and its emotional and acoustic power.

With former members including Haydn and Schubert, the Vienna Boys Choir traces its origins to 1498, making it one of the most venerable choral organisations in the world.

Entering his second season in post, the young American Chief Conductor of the RSPO talks about how he got the job, Bruckner, Mozart, MacMillan and more.

Deutsche Grammophon’s STAGE+ has assembled a comprehensive archive of Karajan’s recordings, concert films and opera performances – which did much to define the sound of classical music in the 20th century.

Anton Bruckner, nicknamed “Tonerl”, spent his childhood in rural Ansfelden, Upper Austria. Tracking his life from there to Sankt Florian and Vienna, Bruckner would leave a lasting impression on musicians and listeners alike.

Kazuki Yamada’s infectious ebullience has rubbed off in a major way on the Birmingham orchestra, and this season they tackle a fleet of big symphonies: Bruckner’s, Mahler’s and Beethoven’s Ninths.

“Cathedrals in sound” or “symphonic boa constrictors”? Bruckner composed eleven symphonies, but how many make our top ten playlist? 

Manfred Honeck discusses the music of Anton Bruckner, both from the experience of playing viola in the Vienna Philharmonic and as conductor of the Pittsburgh Symphony. 

With an eclectic programming ethos, and some of the finest acoustics in the Netherlands, the Muziekgebouw aan ’t IJ is about as adaptable as it’s possible for a modern concert hall to be.

In 2018 Israeli conductor and pianist Lahav Shani was appointed chief conductor of the Rotterdam Philharmonic at the age of 27. He discusses the orchestra’s musical adaptability, precision, and ability to dig deep.

The Australian conductor compares the two grandees of the Romantic era  – both their music and their personalities.

Ahead of Gürzenich Orchestra's live stream on 3rd October, we caught up with Chief Conductor François-Xavier Roth. 

Anton Bruckner's veneration for Wagner is well-documented. But how did Wagner's influence actually manifest itself in the Austrian composer's work?